Tell Me Lies: Season 3 Episode 6 – Recap and Review

A rift grows on Tell Me Lies, and while it is between characters, it isn’t in the way the show is usually talked about.

ByAmari Allah Hours Posted on

Spoiler Alert: This summary and review contains spoilers.

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Episode 6 “I Don’t Cry When I’m Sad Anymore” Recap and Details

  • Director(s): Larysa Kondracki
  • Writer(s): Leo Richardson
  • Public Release Date (Hulu): February 3, 2026
  • Check out more of our “Tell Me Lies” coverage.

Don’t Tease A Demon: Diana, Lucy, Alex, Stephen, Tegan

Every episode has to have at least one party, and this one has an anti-Valentine’s Day goth party where Stephen is looking to show off Tegan and rub their relationship in people’s faces. Lucy doesn’t want to play this game, never mind have Alex pull a Leo and make things worse. After all, he has that confession video dangling over her, causing anxiety and so much more.

But, Stephen might be a long-term issue; Alex is a short-term one. Their friends-with-benefits relationship isn’t as fun when he starts to act as if he likes her, psychoanalyzes her, and honestly, doesn’t give in to her shame and degradation kink. However, with trying to salvage this, since the sex can still be good, Lucy tries to walk up to the line where casual meets intimate. The two discuss the foster home where Alex met Bree. Not too many details are given, but it is noted to have been worse for the boys than the girls, and clearly, it is a touchy subject.

However, while Lucy finds an escape from Stephen’s torment, Diana gets hit back for flaunting aborting Stephen’s kid. Her mom calls, letting Diana know that her dad was sent her nudes. As you can imagine, all parties are a bit disturbed, and what can Diana do about it? Stephen goes low on principle, and clearly, the line is invisible to him. How in the world can you strike back?

So Much For Good Intentions: Pippa, Chris, Lucy

With Lucy pushing the idea that Pippa and Chris didn’t have consensual sex, he confronts her in order to confirm she had a good time. It’s an uncomfortable conversation to say the least, and it is one done in public. To keep from becoming part of a growing scandal, she lies about how she truly feels things went down to satisfy Chris.

This is soon followed by Pippa going off on Lucy, with Lucy being able to offer nothing but apologies.

The One That I Want: Bree, Evan, Wrigley, Oliver, Marianne, Amanda

Bree is in a tough spot. She just got back with Evan, but while there are lingering feelings towards him, things with Wrigley are different. His dark humor, his recent string of tragedies, it makes it easier to talk to him. He’s privileged but seems to get it, get her, and this puts Wrigley in an odd position, for Bree doesn’t want to be upfront about what is going on between them.

What doesn’t help is that Evan, upon learning about Mary and Bree maybe not spending the summer with him, gets upset. The kind that makes Bree all the more hesitant to talk to Evan and want to lean on Wrigley more. This especially becomes true when Bree learns Amanda is 17, goes to confront Oliver, and ends up talking to Marianne. Someone who, despite how she may have seemed last season, doesn’t seem to approve or want her husband to have affairs, never mind with students. But, it seems she’d rather watch him go back and forth than not return at all.

Leaving Bree, once again, leaning on Wrigley to process things and giving herself over to her feelings for him, sealed with a kiss.

Review and Commentary

Highlights

Wrigley x Bree [82/100]

While there is a bit of scandal regarding Wrigley and Bree, similar to Pippa and Diana, as much as you may not condone cheating, you do want to see all parties happy. In fact, perhaps it is poetic that while Pippa and Diana end up together, Wrigley and Bree ultimately don’t. She made the decision that makes sense to her brain rather than her heart, and while it remains unclear what led to them ending things, it will be interesting to see.

Feeling Bad For Marianne [81/100]

In season 2, the idea was pushed that Marianne was part of the problem. That she didn’t stay out of love, but she was perhaps turned on or enjoyed the fact that her husband may seek out young women, but came back to her. However, that armor Marianne had on last time wasn’t at arm’s length when Bree confronted her, and we got the truth.

With seeing that, we must admit we felt bad for Marianne. Not enough to forgive, but at the very least to allow room for understanding.

On The Fence

Wanting This Chris Storyline Wrapped Up [73/100]

Our main struggle with how the Chris storyline is being handled is the same issue we had with Stephen getting up in arms about Diana’s abortion – Tell Me Lies using a touchy topic and not honoring its complexity. We don’t 100% know what happened between Chris and Pippa. Based on someone else accusing Chris, it is likely he did something nefarious, but the show isn’t leaning enough into Lucy knowing Chris, the Lydia factor, and everything, which should make this not so cut and dry.

Which isn’t to say we want the type of complicated that makes Tell Me Lies the poster child for false accusation or creating reasonable doubt. However, it all seems superficial, the road being taken, despite the depth which could give the show the type of drama it clearly fiends for. Even in terms of Alex finding himself facing possibly being assaulted, and how Lucy’s storyline may lead to him bringing up the male perspective of the PTSD that causes.

Overall

Our Overall Rating [79/100]

The rift between the romance Bree, Pippa, Wrigley, and Diana are pursuing vs. the drama Evan, Lucy, and Stephen are addicted to, widens episode to episode. This is becoming worrisome for as much as Lucy and Stephen have storylines that could trigger seeing more, having notable complexities, and even conversations, they are generally avoided. Yet, the other characters dive into the wound, and may not deliver accolade-worthy performances, but certainly create this increasingly clear contrast.

What To Check Out Next

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Amari is the founder and head writer of Wherever-I-Look.com and has been writing reviews since 2010, with a focus on dramas and comedies.