Marion, Miranda, and Irma standing at the top of the rock.

One Comment

  1. For what it’s worth, thankyou for sticking it out. I know it caused you much frustration, but it was fascinating to read your perspective on this series – you are not Australian and not familiar with the source material. When I first watched this series, I wondered if my resistance to it was because I wasn’t willing to let go of how much I loved the earlier movie version… but your blog made me realise it is just because the miniseries is poorly written and acted.

    Joan Lindsay’s novel was very loosely based upon real events, being inspired by unsolved disappearances in the Australian bush country (although so much embellished as to say “based on a true story” would be misleading).

    The first draft of Lindsay’s novel contained an explanation for the girls’ disappearance but her editor encouraged her to cut it out. It was decided that instead of being a mystery with a solution, the novel would be a drama that focuses on the emotional impact the disappearance has on those left behind – and how the lack of closure psychologically affected those who loved the missing girls. When Peter Weir made his movie version, he also thought it would be more effective as a story of how people cope with “grief without closure” in unsolved missing persons cases, rather than providing easy answers…. unfortunately such an approach only works when the characterisation is strong, and it is backed up by solid acting. Though the writers of the miniseries expand upon the backstories of each character, the details they supply often come across as contrived, manipulative, stereotypical and in some cases (Appleyard) implausible.

    In earlier versions there is no question about the fact that Sara killed herself out of an overwhelming sense of grief because she loved Miranda. There’s no question about Appleyard killing anyone because she’s not an impostor with a criminal past who needs to cover her tracks, but just an ordinary teacher.

    In the 90s a book was published called “Secret Of Hanging Rock” which purported to be the final chapter of Lindsay’s first draft, but its authenticity is disputed, some say it’s a literary hoax. Basically, that book explains that the girls encountered a supernatural force that transformed them into animals… Yvonne Roussea wrote an unofficial followup called “Murders At Hanging Rock”, which theorised the more mundane explanation that Albert and Mike teamed up to rape and murder the girls… Peter Weir claimed that Joan Lindsay told him the actual solution on the set of the 70s movie, but he has never disclosed to the public what exactly she told him because he found her answer anticlimactic. Weir said that he thought the heart of the story was not the disappearance itself but how it emotionally affects those who knew the girls, and it shows a greater respect for the audience’s intelligence if they are allowed to use their imagination to come up with their own answer, instead of having it spelt out.

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