Headhunted to Another World From Salaryman to Big Four: Season 1 Episode 3 – Recap and Review | Uchimura Switches From Making Alliances To Learning Culture
Uchimura makes his first notable stumbles as he offends Ulmandra.
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Uchimura makes his first notable stumbles as he offends Ulmandra.
As SORD moves in to rescue one of their own, the previous episode’s sense of danger is undermined.
In its season finale, “On Call” may have a lot of action and pivotal moments, but it ultimately feels like it stumbled.
Another display of hard power to soft power comes about as Lasman seeks to avenge the death of a seven-year-old.
As more cases seem to trigger Harmon’s memories, she forces herself to see her sister and what state she is in.
While Maniac’s existence still haunts Harmon and now Alex, “On Call” begins to move on by allowing us into Alex and Harmon’s personal lives.
Harmon makes a breakthrough, but to get there, she has to work outside the lines and even take out her shotgun.
Between a cop nearly dying and Lasman having a prime opportunity for revenge, things aren’t getting easier for Alex and Harmon.
With a hostage situation including one of SORD’s own, the race against the clock starts as higher ups plan for drastic actions.
“Headhunted To Another World” continues to impress and surprise as it mixes scantly clad characters with what might be sound business talking points.
As it becomes clear that Harmon isn’t everyone’s favorite person, whether Alex will stay loyal or focus on eventually climbing the ladder arises.
In Prime Video’s “On Call,” we see neither a damning nor push to see police officers as heroes – thus giving a sense of humanity most other shows miss.
To some surprise, while the title might come off silly, it takes the business of running a demon army seriously.
The “Grisaia” franchise returns and its combination of deadly assassins with everyday young girls remains a complex mix of human capabilities.
“Before” is one of those strange shows that starts and ends well but really challenges your loyalty throughout the middle.
Stephanie Hsu’s first major starring role is a bit rough and may struggle to win new fans and could test fans who were waiting for her to have her moment.
“Laid” ultimately feels like a show that shouldn’t have been remade and will test how bulletproof Stephanie Hsu’s career is (assuming this isn’t actually a rating bonanza for Peacock).
It appears episode 6 might have been a blip rather than a sign of things getting better.
With the introduction of Ruby’s last living “Big Love,” we get what this show has desperately needed from Ruby’s exes.
The day Ruby has been waiting for and dreaded finally has come.
An exception to the consecutive deaths is found! However, is it someone who deserves to live?
While the names, faces, and potential acts done, gets laid out, it seems we’re still not going to get to know the exes. Just Ruby, and to some degree AJ.
While one conversation is the silver lining, a lot of what “Laid” gives this episode is disappointing and worrisome for the show’s future.
“Before” presents the idea it knew how to end the series, or first season, but wasn’t sure how to build up to it.
“Laid” doesn’t necessarily start strong, but Stephanie Hsu has enough charm to make you want to give this a chance.
Another episode focuses on Poppa Damon, and it seems that as “Poppa’s House” approaches its halfway mark, it is getting a handle on things.
The final season of “My Brilliant Friend” makes it seem like, even with two additional episodes compared to past seasons, too much had to be covered, so everything is rushed.
Through Eddie Redmayne’s work and the development of his character, “The Jackal,” we get perhaps one of the best antiheroes of the year.
“Makeine: Too Many Losing Heroines” gives you that high school nostalgia in perhaps the best or worst way, as it explores burgeoning feelings like love.
While an effort is made to build out the world in “Why Does Nobody Remember Me In This World?” Sadly, the answer to the title’s question is that no one is that memorable.
With Eli unable to duck and dodge the topic of Lynn, we finally get answers to one of the season’s most pertinent questions.
It had to happen eventually. Bianca lays eyes on The Jackal, and they find themselves in a situation where they must either run, fight, or die, and running doesn’t seem a viable option.
“Industry” remains one of the most consistent shows on television, with a 3rd season which reminds you why HBO has been a stable brand for decades.
Season 2 shows progress from the growing pains of season 1, but still seems a bit bloated and like it undertilizes its potential.
Attention is redirected towards Poppa Damon, who is dealing with his aging woes, and Junior, who lost his wedding ring.
“The Equalizer” has a holiday episode in which some fans may get what they want, but it may only deliver coal for others.
“Before” continues the pattern of not giving you much of anything of note until the end when something notable finally happens.
They always say that when there is a will, there is a way, and in a pivotal episode, The Jackal pushes to see if that can be true for his personal and professional life.
As Damon Wayans Jr. continues to take over “Poppa’s House,” it feels like if there is a season 2, the whole show needs to be reconfigured.
The overall goal of Wherever I Look is to fill in that space between the average fan and critic and advise you on what’s worth experiencing.