As Zoey tries to minimize the negative effects her new powers have on her life, she potentially makes a huge mistake.
|Directed By||Adam Davidson|
|Written By||Austin Winsberg|
|Introduced This Episode|
Satiating Mo’s Curiosity: Mo, Zoey
Hearing people’s innermost thoughts and feelings through song? Getting to see full-on musical numbers randomly? For Mo, usually, drugs or something else has to be involved for such an experience so Zoey being gifted such an ability is both intriguing and unfair. Hence them coming up with every which way to learn how this happened and, in the process, becoming more than a next-door neighbor but some semblance of a friend. One who plans to bestow Zoey some sense of taste since she seems to not know most of the music being sung around her.
The Challenges Of Being The Boss: Tobin, Leif, Zoey, Joan, Simon
Zoey being given the role of manager doesn’t lead to musical numbers from Tobin and Leif speaking of their displeasure, but it is clear as she uses what she read in books and heard in podcasts, she won’t win over these boys through sheer power alone. So, she talks to Simon, who gives some pointers based on how his dad ran his chain of electronic stores.
What does that lead to? Well, for one, Zoey learning that, just because her employees don’t act quick enough or as she would do, it doesn’t mean she has to do it – which Joan makes clear. Also, despite knowing her subordinates, sans Max, don’t like her, it doesn’t mean she can’t take note of their value to the team and maybe change their minds about her. If not, at the very least, while they may think negative things about her, as long as their actions lead to the results she wants, that’s all that matters.
Redirecting Unwanted Emotions: Autumn, Max, Zoey
Zoey is very uncomfortable with Max’s affections, and with that comes her deciding to get the girl who works for their favorite coffee shop, “Golden Gate Grind,” to go on a date with him. One that he set up for him and Zoey, but Autumn ends up going instead – and the two hit it off.
Somethings Can’t Be Answered With Only Two Options: Mitch, Maggie, Zoey, Max
Which might be a problem for Zoey in the long run. For after helping her parents rekindle things, Max comes to visit her dad, and between seeing how good he is with him and seeing Max with Autumn, Zoey might be regretting her decision.
Being Fine If Zoey Ends Up Single
Considering Simon is engaged, and she hooked up Max with Autumn, who seems lovely, Zoey doesn’t have a viable love interest. And while she has a crush on Simon and may regret not reciprocating Max’s feelings, it’s perfectly fine. All things considered, between this new power, new job, and her dad, Zoey has more than enough to deal with that a man is the thing she needs to focus on the least.
While this is Jane Levy’s show, I’d submit Peter Gallagher does upstage her a bit, if not presents himself as one of the top reasons to watch this show. For as much as the musical numbers are a hook, as well as Mo’s one-liners and personality, Mitch is a balance between all this show offers. With his medical condition, he brings a seriousness to every scene he is in. Yet, also, like with his brand new buzzer, so comes a comedic element, and then when he dances and sings, Gallahjer pushes himself to the forefront and makes you miss Mitch when he isn’t front and center.
On The Fence
Zoey’s Power Leading Her To Have To Solve People’s Problems
One of the things I’m not necessarily comfortable with is the idea that Zoey is going to get to the root of Tobin and the rest and try to help them deal with their sexist ways. In my mind, Zoey already has enough emotional labor to deal with when it comes to her dad, so figuring out what is going on with the jerks on her team seems cruel. Joan, Mo, Simon, and maybe characters she considers acquaintances, like Autumn, that’s fine. Heck, even her brother. But Tobin and people at her job like that? They deserve to suffer.
[td_block_12 custom_title=”Zoey’s Extraordinary Playlist Directory” tag_slug=”Zoey’s Extraordinary Playlist” td_ajax_filter_type=”td_category_ids_filter” ajax_pagination=”next_prev” limit=”1″ td_ajax_filter_ids=”11, 4088,36471, 25″]
Being Fine If Zoey Ends Up Single - 85%
Mitch - 86%
Zoey’s Power Leading Her To Have To Solve People’s Problems - 75%
Zoey’s Extraordinary Playlist maintains the rare balance between emotional moments, comedy sure to, at the very least, get you to smile, and song/dance numbers which will make you zoom over to YouTube to watch them on repeat.
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I see your point, but then we do get some darkness with Mitch’s illness and with Simon’s father committing suicide. So maybe the writer’s feel that Mo is just there for some comic relief and to help Zoey with song identification. With the darkness that Mitch and Simon usually bring (not to mention the negativity that sometimes comes from Joan, Tobin, and Zoey’s other co-workers except for Max), I’m happy with Mo just continuing to do what she’s been doing in the first 2 episodes.
You recap and review Zoey’s Extraordinary Playlist, too! Yay! I noticed this when on here for The Good Dr. the other day, but didn’t have time to read and comment until now. I really, really like this show so far!! Anyway, lol “Tobin and people at her job like that… deserving to suffer”!
I like Mitch, but my favorite character is Mo. I remember the actress playing her, Alex Newell(?), from back when she was a teenage boy on a reality tv show called “The Glee Project”. It was made in conjunction with Glee where the winner would get an 8-episode arc on Glee. Alex got 2nd place and a 3-episode arc, even though there was no 2nd place at the beginning of the season. But on the show he played a character who wanted to be a be a transgender girl. He ended up outlasting the winner’s 8 episodes and was there for I think that season and the next one (but I’m not sure because I stopped watching Glee at the beginning of that next season). But I’m happy to see Alex get work, I really like Mo’s one-liners, and to me Mo is the most interesting character.
I adore Mo, but I hope we get to explore their darkness soon so that they aren’t just the sassy sidekick. There is a need for layers.