Reasons (2021) – Review/ Summary (with Spoilers)
The voice presented in Reasons pulls you between wanting a full-length movie focused on Mercy’s story and/or a series.
The voice presented in Reasons pulls you between wanting a full-length movie focused on Mercy’s story and/or a series.
Prayers For The Stolen presents the fears involved when a lurking presence can, at any moment, rob you of your autonomy and joy.
The Little Death chronicles the heartbreaking story of one couple trying to get pregnant and the test it presents for their marriage.
If there was ever a reason to go to the movies, it would be for Last Night In Soho just because it tries to do so much, and surprisingly gets it right.
A chance encounter leads to an unexpected relationship as faith creates an instant bond, but what’s to happen once the fun is over?
A couple learns they are pregnant and deals with the difficulty of maintaining a non-binary ideal in a world that doesn’t honor that.
More Happiness is a bit strange and doesn’t really venture to demystify itself.
The First Time gives you webcomic-turned short web series vibes, but it is not long enough.
In this three-minute short, we get an innocent and adorable showing of the lengths someone will go through for a crush.
The Harder They Fall will remind you why westerns were once the most popular film genre and pushes Jeymes Samuel to potentially be this generation’s Quentin Tarintino.
I want you to imagine the intensity in Black Swan mixed with Whiplash, and in that volatile mix, you’ll get Isabelle Fuhrman in The Novice.
While Under My Skin may make you question “Where is this going” and “Why are four people playing one person?” you never get bored.
Night Teeth might have a thin plot, but it makes up for that by having entertaining action and through the performance of Debby Ryan and Lucy Fry.
Sweetheart may not craft the best conflicts or resolutions, but it excels when it comes to teen romance and family dynamics.
As On My Block prepares to become Freeridge, we get one last season with the OG characters, and, for the most part, they will be missed.
Someone call Nickelodeon, Disney, some children’s network because they need to make Death & Deathability (A Period Piece) a series – STAT!
Wouldn’t Mean Nuthin’ gives you the vibe Black & Sexy TV gave in the early 2010s.
Mr. Corman is perhaps the most uncomfortably relatable show about millennials I have ever seen.
Once again, Fantasy Island returns, but this incarnation has women as the lead, strips away the horror element, and tries to bring something new to the formula.
Dear White People ends triumphantly for most, as we not only get to see how senior year went but get an idea of what the future holds.
Outsiders try to infiltrate high society with the goal of not only fitting in but learning the truth and potentially revenge – what more can you ask for?
With the introduction of two non-binary characters, Sex Education continues to explore the complications of relationships beyond the drama we’ve all grown used to.
The Eyes Of Tammy Faye reminds you how those who seek money and power exploit and tarnish those who have faith in God.
With one shock after another, The Voyeurs deserves to be part of a group movie night so you and your friends can share your reactions in real-time.
Time Is Up misuses its time with a story that is overdramatic and contains lukewarm dialog and performances.
Charming at times, while sometimes making the mute button necessary, It Takes Three keeps you engaged despite knowing how it will likely end.
As long as you have an appreciation for camp, musical numbers, and corny humor, you’re like this new rendition of Cinderella.
While the pacing can be slow at times, Afterlife of the Party does evolve into a fun, sometimes emotional, tale.
While the white girl jokes do get excessive, She Ball does make valuable points if you can get beyond its humor.
Really Love may have one story element we’re all far too used to but beyond that? It’s a swoon-worthy romance film.
The Ms. Pat Show, while raunchy, is also one of the funniest new shows to come out in years; while having a heart most shows struggle to make feel authentic.
The White Lotus may not hook you from the beginning, but with its murder mystery and after some characters escape your preconceived notions, it gets better.
What does one do when in need of money, and an old friend offers an illegal but easy way to get it? Which would help your family and relationship immensely?
Free Guy presents Ryan Reynolds as you have seen him many times before, but, thankfully, his shtick hasn’t gotten old yet.
Coda might be one of the few must-see movies on the Apple TV+ platform and perhaps one of the best films focused on a family unit we’ve seen in a long time.
One of Netflix’s most identifiable franchises has come to an end, and while some imperfections of past entries remain, fans will be satisfied by the conclusion.
Respect puts respect on Aretha Franklin’s name while still addressing her demons, sordid relationships, and her father.
Resort To Love approaches the line towards being messy, as unresolved feelings nearly destroy a wedding.
In Pink Opaque, we watch as its lead confronts an unstable present, a covered up past, and an uncertain future, as they deal with homelessness.
The overall goal of Wherever I Look is to fill in that space between the average fan and critic and advise you on what’s worth experiencing.
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