Zom 100: Bucket List Of The Dead Season 1/ Episode 12 “Hometown of the Dead III” [Season Finale] – Episode Recap/ Review
And so the first season comes to a close, with the promise of so much if this ever gets a second season.
In this tag, you’ll find all the productions which were available on Netflix’s platform when they originally premiered.
And so the first season comes to a close, with the promise of so much if this ever gets a second season.
As Higurashi’s people are mowed down and their backgrounds revealed, Higurashi is driven to desperate measures.
As Higurashi executes his plan for chaos, Akemi is just starting to break new ground with his father.
Like Leonard Bernstein himself, Bradley Cooper’s “Maestro” stays intriguing and frustrating in what it decides to show and hide about the legendary composer.
Netflix’s “Yu Yu Hakusho” may satisfy anime or manga fans, but for those new to Yusuke’s spirit adventures, the live adaptation will be a head-scratching mess.
A cast and character guide for Netflix’s “Yu Yu Hakusho.”
Bollywood takes on the Archie comics in Netflix’s clever and creative “The Archies.”
While “Family Switch” hits all the familiar beats of a body swap comedy, it still has enough heart to get you pass the expected results.
Netflix’s “A Nearly Normal Family” is a nearly normal crime story these days.
A cast and character guide to Netflix’s crime thriller “A Nearly Normal Family.”
In this disaster movie, instead of action stars, we get leads known for their dramatic abilities who are tasked with surviving apocalyptic situations with none of them playing the role of the world’s savior.
“I Don’t Expect Anyone To Believe Me” is a bit of a sluggish film that tries to compensate by giving you violence and sexual situations, but its leads may not be enough to keep you watching for two hours.
While Julianne Moore and Natalie Portman face off in ways that remind you of their most wicked characters, Charles Melton, trapped in the middle, finds room to have a remarkable performance, likely to shift his career.
“Best. Christmas. Ever!” might be the worst. movie. this year!
“Rustin” depicts a civil rights icon in ways not seen since Denzel Washington played Malcolm X.
Netflix’s “The Killer” showcases David Fincher at his most wry and ruthless. Fedoras and Hawaiian shirts have never been so menacing.
Netflix and Melanie Laurent’s “Wingwomen” is a fun but forgettable action-comedy that is light in drama and plot.
Mike Flanagan’s “The Fall of the House of Usher” is an entertaining and ghoulish time, but fans of Edgar Allan Poe’s classics may roll their eyes.
A cast and character guide to Mike Flanagan’s “The Fall of the House of Usher,” now streaming on Netflix.
“Everything Now” ends its rollercoaster ride by reminding us how far Mia has come, how far she has to go, and what the alternative is to her continuing to work to be better.
This is a character guide for Netflix’s “Everything Now,” with character descriptions, quotes, names of actors, and more.
In the penultimate episode of the season, “Everything Now” decides to take a dive off the height that was episode 6 as Mia’s 17th birthday arrives.
“Everything Now” switches things up by focusing on what Alex, Mia’s little brother, has gone through and is going through, and it’ll make you wish and hope we get others perspectives in the final episodes.
As Mia questions what is going on with Alison, Will explores something new and Viv’s secret is forced out into the light.
As sex becomes a topic of conversation Mia would love to avoid, she finds herself confronting everyone about the lies they have told.
As Mia reaches an epic high, she is reminded what goes up must come down.
As Mia seeks out what kind of normal she can attain, she gets surprised by two who offer her a chance at a new normal rather than the one she expected or was used to.
In this simple revenge tale, a young lady’s best friend decides she no longer wants to be alive, which sets off a chain of events to kill off the man who blackmailed her.
“Everything Now” feels like a precedent setting show about the teen years that might be more honest, relatable, and nuance than what we often see.
“Sex Education” ends on a high note, but without some of the dream scenarios some may have wanted.
In the series’ penultimate episode, O and Maeve have emotional scenes that will get you in your feelings, and Aimee, Isaac, and Aisha take a stand against a college which claims to be progressive.
It’s Erin’s funeral, and Sean decides to make the day harder. But he isn’t alone as Eric comes to multiple realizations, as does Viv.
As Maeve struggles with all she left behind in the UK, O and Otis debate, and Eric seems to have renewed his faith in a notable way.
Netflix’s Spanish-language survival movie “Nowhere” is a great showcase for Anna Castillo, but a familiar story that doesn’t live up to its dystopian premise.
Maeve’s return leads to Otis dropping everything but, in his absence, Eric and Ruby are given time to reflect. Also, other relationships begin to form.
Akira finally makes it home, but a few new people in Gunma don’t fit in with the down-home, rural vibe.
As Otis and Ruby rekindle their bond, Eric lives his best life with Abbi’s people, and Mr. Groff shows he is truly trying to be better.
As Otis continues to show he sucks at handling any relationships which is his own, Eric opens the door for us getting to know Abbi better, and Jackson has something new to ask Otis about.
“Sex Education” enters its final season with many familiar faces missing but with a notable slew of new characters to take up their screen time.
The overall goal of Wherever I Look is to fill in that space between the average fan and critic and advise you on what’s worth experiencing.
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