A Talent for Murder (2026) – A Coming-of-Age Story Shaped by Psychological Games
Helen Mirren revises the mentor-and-elder role in this coming-of-age psychological drama as her character tries to make a man out of Alden Ehrenreich’s Edward Ridgeway.
Helen Mirren revises the mentor-and-elder role in this coming-of-age psychological drama as her character tries to make a man out of Alden Ehrenreich’s Edward Ridgeway.
Jordan Firstman writes, directs, and stars in a dramedy that proves he shouldn’t be underestimated—and shows how even the unprepared can learn to love, mentor, and raise a child.
Brad Bird leaves the kids at home with Ray Gunn, but while the futuristic noir is entertaining, its story is oddly too predictable.
“Hard Truths” crafts a brilliant love-to-hate lead, but the limitations of movies will make you badly wish this was a miniseries.
In what may feel like a slightly familiar underdog story, a woman, who has recently been widowed, has to fight for what’s left from her marriage to secure her comforts and future.
While we are the first to call to question why any movie needs to be three hours, “About Dry Grasses” makes the best use of its time through enviable conversations and how it deconstructs its lead.
“Fingernails” is a sluggish two hour movie which lacks a hook.
“Perfect Days” spends nearly an entire hour testing its viewers loyalty, and once it makes an effort to get interesting, it doesn’t compensate for lost time as some may wish it had.
By having a small cast with volatile emotions paired with a fat suit that is used to elicit sympathy, “The Whale” may make you cry, but its lasting impact is questionable.
“Glass Onion: A Knives Out Mystery” may have a disappointing mystery, but its zany and comedic characters compensate for that.