Solidarity is what causes and maintains revolutions. But for solidarity to sprout there needs to be one voice. One refusal to the oppressor. Which is what we get in The Handmaid’s Tale finale: “Night.” Trigger Warning(s): Cutting open of flesh
It’s easy to get desensitized. Both in terms of what the show offers and in general. Thus making the job of an actor harder for they have to give more of themselves over to you – the audience. Now, up to this point, I shed no tears, felt no significant shock, and only admired Moss…
Would it be wrong, if not odd, to say I was a bit bored by “Jezebel?” Granted, we got another character’s background story and saw someone from June’s past, but I found it difficult to be excited or engaged. To help understand why, look below.
Rather than drag out what may have happened to Luke, as I want to believe they are doing with Moira, we get an episode dedicated to him.
As the Mexico ambassador visits, we get a peek inside the past of Serena Joy and her part in what eventually created Gilead.
Many characters have their true colors revealed and, alongside this, June herself we learn isn’t as innocent as she seems.
With it being 13 days since June has been outside, seen someone besides the meek Rita and malicious Serena Joy, she is losing it. Yet, she finds a message hidden away for her that provides strength.
As it’s revealed what happens to those like the original Ofglen, June continues to try to navigate through a world in which she finds herself to be the lobster in the boiling pot.
The overall goal of Wherever I Look is to fill in that space between the average fan and critic and advise you on what’s worth experiencing.
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