The Baker (2023) – Movie Review (with Spoilers)
“The Baker” entertains throughout its run time but is ultimately forgettable.
“The Baker” entertains throughout its run time but is ultimately forgettable.
Jim Cavaziel auditions to be Liam Neeson’s successor as he takes on becoming the savior for children kidnapped and put into the sex trafficking industry.
To some surprise, “Strays” not only delivers the kind of jokes and situations those who love politically incorrect comedy will enjoy but get dog lovers in their feelings.
While “Talk To Me” comes with graphic imagery and the occasional comical moment, the characters have hastened development which doesn’t really push you to care about who lives or dies, but rather how.
“The Lesson” is like a well-crafted book adaptation that knows when to progress the story and when to give its audience time to reflect, theorize, and then press on.
A summary of how “The Boogeyman” (2023) ended, its major storylines and whether a prequel or sequel is possible.
“The Boogeyman” crafts grief, scares, and compelling performances in a way few monster movies do.
Guardians of the Galaxy may be a rocky and exhaustive journey, but its heart in Rocket provides a fitting end to Marvel’s gang of misfits.
An Army sergeant gathering intel on the taliban enlists the aid of an Afghan translator/interpreter who ends up saving his life through impossible odds.
“To Catch a Killer” needs to catch one message and stick to it in a pretty but meandering crime story.
Family togetherness takes a dark turn as Mommy is possessed by the Deadites and looks to unite her whole family in her bloody quest!
“Are You There God, It’s Me Margaret” is the kind of coming-of-age story that isn’t produced enough with this amount of marketing.
An ancient evil possesses a 12-year-old boy with larger designs on the pope’s exorcist.
Renfield, familiar to Dracula betrays him by seeking a new empowered and purposeful life in heroic pursuits, but there is Hell to pay!
Coach Marcus ordered by a judge to coach a team of disabled athetes for 90 days gets more than he bargained for in this heartfelt comedy.
Margot Richardson can’t escape nightmarish visions of her facially deformed sister murdered by her father long ago. She desperately struggles to find meaning by returning to her abandoned childhood home.
Shazam! Fury of the Gods returns as a sequel with the super hero family battling a wicked trio of twisted sisters complete with a dragon and monsters wreaking havoc on Philadelphia.
“Cocaine Bear” meets the expectations of madness you’d expect it to have.
Emma Roberts and Luke Bracey act as Trojan horses for a movie about love, companionship, and marriage after 60.
“Fear” might be creepy enough to make you uncomfortable, but something about the writing and performances may make you cringe.
“When You Finish Saving The World” may have a lovely, complicated mother/son relationship front and center, but it isn’t so strong it compensates for all that is avoided.
In the toned-down “Alice, Darling,” the depiction of emotional abuse is on display and given a touch that surprisingly isn’t leaning towards Oscar bait.
While I don’t think anyone was asking for a “House Party” remake, you’ll be glad we got one.
“A Man Called Otto” is the perfect way to end 2022, especially if you need a good cry.
While “Living” can operate as a joke of how bureaucracy can kill the soul, it also pushes you to remember your part in making a life easier or harder.
While it reaches levels of ridiculous that may make you roll your eyes, you’ll be chuckling throughout all “Divorce Bait” throws at you.
Vengence, death, and colonization fuel “Black Panther: Wakanda Forever,” but rarely as far as you wish it would.
“Aftersun” is a dry, slice-of-life family movie that makes you wonder if you missed something of note while watching.
By having a small cast with volatile emotions paired with a fat suit that is used to elicit sympathy, “The Whale” may make you cry, but its lasting impact is questionable.
“Glass Onion: A Knives Out Mystery” may have a disappointing mystery, but its zany and comedic characters compensate for that.
In this moving, biographical first feature from writer/director Elegance Bratton not only gives a stirring film but pulls from Jeremy Pope and Gabrielle Union the best performances of their careers.
Male intimacy, and what western society is still adjusting to, makes “Close” a notable exploration of a loving friendship between two boys.
“Stars At Noon” leans on Margaret Qualley as a crutch, to the point of you imagining it bending and damn near breaking by the end of the film.
The slow burn that “Stay The Night” delivers a different kind of “Meet-Cute” story that makes every awkward and frustrating moment worth it.
“Lyle, Lyle Crocodile” knows what the heart of the film could be, yet it refuses to stick to it and thus becomes a forgettable movie hoping to cash in due to lack of competition.
“Bro” lives up to the hype and precedent it wants to set as one of the biggest gay romantic comedies, if not one of the best romantic comedies.
A synopsis of how Smile (2022) ended, whether a prequel or sequel is possible, and a character guide.
It’s the start of horror movie season, and “Smile” is a good way to start your annual fix.
While “Game of Thrones” is considered Bella Ramsay’s breakout role, Birdy has given proof that Ramsay can and will have diverse stardom.
The overall goal of Wherever I Look is to fill in that space between the average fan and critic and advise you on what’s worth experiencing.
Pages