Bob Trevino Likes It (2025) Review
Barbie Ferreira moves on from her Euphoria fame to a role which has the potential to make her a indie darling.
Barbie Ferreira moves on from her Euphoria fame to a role which has the potential to make her a indie darling.
Andrew Garfield and Florence Pugh star in a romance movie made for those in their 30s, who have had significant relationships and aren’t scrambling with money or their career.
“Winnie The Pooh: Blood and Honey 2” moves beyond the shock value of a murderous childhood icon and tries to add depth to its characters.
Paired with tapping into fears of arachnophobia is a young girl trying to deal with her mom having a new baby and her stepdad trying to fill in the spot her biological dad abandoned.
In a complicated revenge tale, one assault leads to the desire to create revenge porn but when a romance blooms, so begins the question of whether to take things that far?
“Knox Goes Away” is a shakeup to the formula that was set by Liam Neeson’s recent filmography and is rarely challenged.
“The American Society of Magical Negroes” has a top-quality romance film, worth its own motion picture, weighed down by the usual conversations and monologues on American racial relations.
While DeWanda Wise delivers a notable performance, the story of “Imaginary” makes it for naught.
While a bit of a drag and having the feel of Oscar bait at first, by the end of the movie you’ll be in tears so bad the back of your throat will ache.
While “Ordinary Angels” isn’t firmly in the “faith-based” movie camp, it is undoubtedly a reminder that angels may appear in the strangest forms when you have reached a low point.
The overall goal of Wherever I Look is to fill in that space between the average fan and critic and advise you on what’s worth experiencing.