A new floor, a new person to worry about and they happen to be a priest. Yet, this floor judge seems vastly different than the rest. Which might not be good for Rachel.
Takuma’s life before Diablo is touched upon as well as why living vicariously through Diablo has become a necessity for him.
We finally get to move to B2, but what it takes to get there means Rachel having to step up and not completely rely on Zack.
So, it seems we won’t be heading off to Greenwood since Keera pops up. That is, alongside a slave marketer who, through the power of touch, teaches Diablo a thing or two.
A small glimpse into Zach’s childhood saves yet another asinine episode of Angels of Death.
Rather than press forward to the Elven kingdom, we are introduced to the Lord of Faltra and the Imperial Knight Alicia.
At this point, Angels of Death is working off a horror anime checklist. So adjust your expectations as low as possible or you will not enjoy the ride.
With the balance between action and ecchi complete, so comes the end of the introduction and Diablo having his first true, one on one, battle.
Angels of Death is on its way to becoming a disappointment as it delivers another lackluster episode.
A drastic reduction in ecchi leads to us learning about the Fallen and meeting someone who can match Diablo’s powers.
As Zach and Rachel reach a new floor, they begin to bond and we get to learn about Zach (aka Isaac).
As Shera’s backstory is revealed to us, so is the fact this show is hell-bent on making sure you get all the ecchi your heart can desire.
A seemingly innocent girl trapped in a building that resembles a multi-level hell, one which may just be impossible to escape alive.
Despite its exuberant amount of ecchi, there might be something of value in How Not to Summon a Demon Lord.
With a rather lukewarm series of mysteries and basic characters, Island may not make any top 10 list for the summer season.
While Shiina is introduced, so is the idea Okabe and Suzu weren’t the only ones looking for her. Which, with Moeka around, raises red flags.
There might actually be something that could make this spin-off interesting. However, how much longer can we get strung along?
Steins;Gate 0 attempts to inspire interest by noting Okabe feeling a world line shift, and it being noted Suzu didn’t return to the past alone.
We’re right back where we started and the action is… okay. But it is the ending of the episode which brings interest.
Mayushii’s feelings for Okabe are addressed, just as much as him forgetting the Kurisu he has been speaking with is just AI.
It seems this will be the last episode covering what happened before the events of the first one – thank god.
As Okabe seeks closure, it seems he is only drawn deeper into his trauma as Maho gets closer to him.
We meet Karen’s real-life friend as well as one of Llenn’s first virtual friends, alongside seeing Kohi’s first days in a VR environment. Yeah, it’s kind of boring.
Most of Caligula’s premiere is dedicated to its lead talking like the most boring lecturer you’ll ever meet, and it is hard to say if the end of the premiere makes up for that.
Beautifully tragic. Essentially that is what The Ancient Magus’ Bride is. A story dealing with neglect, ostracism, outright abandonment, and trying to figure out a way to more than just deal with it but find stable sources of joy.
Garo – Vanishing Line is bloated and surely not going to push you to look into the other series under the Garo umbrella.
Sword Art Online returns! However, it is without our beloved Kirito and Asuna… so is it still worth seeing?
Citrus has its moments. Especially when addressing female homosexuality in Japan. However, despite the growth of character Yuzu, it’s more about tantalization than substance.
The final episode does what most of the season failed to make you do, care about the fate of the characters.
And so The Ancient Magus’ Bride ends with a bit of compromise. Most of which lead you to believe there could be a season 2.
So do Mei and Yuzu end up together? Really, you need to ask?
It’s the same ole, same ole, for Garo – Vanishing Line as villains are slain without really getting to have their moment.
Joseph and Cartaphilus, they are two different people, have their shared past explored as a rescue effort begins for Chise.
Despite this seemingly being the penultimate episode, there is nothing to push you to believe we are about to hit the finale.
It’s the beginning of the end and pretty much it is do or die. Either do find a way to stop King or die at the hands of his remaining minions.
We dive into Chise’s past and through her getting to understand her mom, it seems that may lead to the path of her reconciling with Elias. Maybe even understanding Joseph.
The back and forth continues as Mei deals with feeling rejected and Yuzu seeks out a new character to understand her feelings better.
At long last, we see King’s true form and… he kind of looks inspired by an Axolotl.
Matsuri and Mei have their final battle and Yuzu ends up being the deciding factor.
The overall goal of Wherever I Look is to fill in that space between the average fan and critic and advise you on what’s worth experiencing.
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