Garo – Vanishing Line: Season 1/ Episode 20 “Utopia” – Recap/ Review (with Spoilers)
Sword and Sophie seemingly will only be in El Dorado for just this episode, but what happens seems to be part of the show’s redemption mission.
Sword and Sophie seemingly will only be in El Dorado for just this episode, but what happens seems to be part of the show’s redemption mission.
As usual, as Chise commits an act of sacrifice to protect or help someone, she ends up making things terribly worse for herself. Something Elias is growing tired of.
As Matsuri takes in what she is dealing with, when it comes to Mei, Yuzu tries to explain Matsuri’s relationship to her.
As Joseph haunts his acquaintances, Renfred gathers allies to stop an auction of a dragon.
As Mei continues to be very hot and cold, she is presented with a challenger in the form of Matsuri.
You know how people will swear, “It gets better” when talking about a show? It seems Garo – Vanishing Line, is trying to convince us the filler is over.
Elias’ insecurities get the best of him and lead him to be a bit abusive. Meanwhile, Joseph is back and up to something.
Despite ecchi elements surely turning some people off, Citrus reminds us that love is a complicated thing and so is figuring out how to handle your attractions/affection for someone.
We’re still nowhere near El Dorado, but Bishop and Christopher decide to try to kidnap Sophie and kill Sword. That’s something right?
The Ashen Eye returns to wreak havoc while reminding us how useful Chise’s powers can be.
Yuzu has come to the point in realizing that she may have to put her feelings aside, especially as she comes to realize who Shou is to Mei and the damage his absence has done.
Sword and co. still aren’t in El Dorado, likely won’t be until episode 18 at the earliest, but we do follow up on his younger sibling and his reason for wanting to go to El Dorado.
It’s Christmas time and in the spirit of giving, Chise receives a certified friend and maybe a blast from her past.
As Himeko makes her significance in Mei’s life known, it throws whatever Yuzu was building towards into chaos.
Rather than follow our well-established heroes, King’s right hand and left hand, Bishop, and Queen, are under the spotlight.
Gate: Jieitai Kanochi nite, Kaku Tatakaeri, or simply Gate, slowly turns from something which seems like a silly ecchi filled anime to something which really holds clout in terms of presenting fantasy, action, and character development.
Despite you thinking the episode would be about Chise’s recovery, it ends up being about Silky’s backstory – which causes some tears.
Yuzu is ensnared in Mei’s games and finds it difficult to know whether her burgeoning feelings are/ can be reciprocated or if Mei is just toying with her?
In what maybe the last filler episode before the aptly named “El Dorado” episode, Luke gets a cosmetic change.
As Chise makes her first demand of Elias, it seemingly might be her last.
As Chairman Aihara becomes aware of his new granddaughter, he questions who will influence who and makes some preemptive moves.
Gina opens herself up to us a little bit as the show makes it clear that we won’t see El Dorado anytime soon.
While Hakata Tonkotsu Ramens may not leave you squealing like a pig for more, it presents enough intrigue for you to want to know where this show might be going.
Chise and Elias finally get to have a real conversation about their respective pasts, and of course, that moment gets ruined by the episode’s ending.
Consider this a full-length, perhaps better written, Netsuzou Trap or the Yuri anime you’ve always wanted.
Even in the dark of night, all alone, the first episode of Junji Ito Collection doesn’t sell you that this is the horror series to watch. Much less that this is adapted from the work of a famous Japanese horror manga artist.
A complete [All 12 Episodes] recap/ review (with Spoilers) of the first season of Hai to Gensou no Grimgar (Grimgar of Fantasy and Ash).
Juni Taisen (Zodiac War) is the ultimate showing of a program peaking too soon and then nose-diving off a cliff.
It’s a bit of an emotional episode as we hit the halfway point of the season. One in which Chise begins moving on from her past.
“Family” is another episode which gives one noteworthy detail while the rest feels like filler.
And so Juni Taisen ends and just as most of the season has been anti-climatic, so is Nezumi’s wish.
Lindel continues to try to peel away Chise’s rose-colored glasses, but perhaps to no avail.
We still have yet to reach El Dorado with Sophie and Sword, but we do meet the contact who will be joining them on the journey
To some surprise, we won’t have to wait until the finale to learn who wins the 12th Juni Taisen – it’s in this episode.
Lindel begins to reveal Elias’ past to us, alongside a bit of his own, and it seems we’re at the good before the horror.
We dig deeper into the past we saw in “Intricacy,” in terms of learning about Luke’s mom and dad.
Juni Taisen tries to go deeper, bring about some emotion and really make a death count. But is it too little too late?
It has been two weeks since the last episode and something seems to be wrong with Elias. As if he can’t return to the person Chise knows.
“Setting Off” is more like “Setting Up,” as it acts as a transition episode before the show moves into the west – where El Dorado is assumed to be.
The overall goal of Wherever I Look is to fill in that space between the average fan and critic and advise you on what’s worth experiencing.
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