Stars At Noon (2022) – Review/ Summary (with Spoilers)
“Stars At Noon” leans on Margaret Qualley as a crutch, to the point of you imagining it bending and damn near breaking by the end of the film.
Be it the criminal underworld, or taking on those who rule over it, the crime tag focuses on crime fighters or those who reign over the underworld. If not stories that heavily feature people breaking the law.
“Stars At Noon” leans on Margaret Qualley as a crutch, to the point of you imagining it bending and damn near breaking by the end of the film.
The third adaption of John Ajvide Lindqvist’s novel brings a heart not seen as strong in the previous movie adaptations.
Modernized in some ways but keeping the core story intact, we watch Louis again recounting meeting Lestat in an adaptation that struggles against its predecessors.
While “Mike” is an unauthorized bio-series of one of the greatest known boxers, it sets such a precedent that it’ll be hard to imagine an authorized version topping it.
While legal dramas seem to come every season and are rather just the same, because “Reasonable Doubt” isn’t afraid to lean into its lead’s culture – it is strikingly different.
Season 5 of “The Chi” continues to give what is expected, in terms of presenting a complex view of the city, while making improvements to how the girls and women are developed.
While many films romanticize having long-lasting friendships, “The Razing” reminds you of the trouble that comes from people knowing the worst about you.
“Pearl” is an origin story more geared towards being a streaming release than a theatrical one.
While “Margaux” has visual effects not up to the grade you might be used to, the cast and story will keep you around until the end.
“Barbarian” has quality jump scares and freaky moments, but it leaves so many questions.
The overall goal of Wherever I Look is to fill in that space between the average fan and critic and advise you on what’s worth experiencing.