City On Fire: Season 1 – Recap and Review with Spoilers
The mystery in “City On Fire” of who shot Sam, thanks to Chase Sui Wonders, keeps you interested in the show as it struggles to build up its supporting cast.
The mystery in “City On Fire” of who shot Sam, thanks to Chase Sui Wonders, keeps you interested in the show as it struggles to build up its supporting cast.
“Sisters” rushes through most of the sisters’ struggles and even the crimes they try to commit to get themselves out of succeeding bad situations.
Similar to the Spiderman franchise, it seems all the “Teenage Mutant Ninja Turtle” franchise needed was to be rebooted enough times to recapture the magic.
“The Baker” entertains throughout its run time but is ultimately forgettable.
Jim Cavaziel auditions to be Liam Neeson’s successor as he takes on becoming the savior for children kidnapped and put into the sex trafficking industry.
This is a character guide for Crunchyroll’s “Undead Murder Farce,” with character descriptions, quotes, names of actors, and more.
This is a character guide for Netflix’s “Zom 100: Bucket List of the Dead,” with character descriptions, quotes, names of actors, and more.
“Fear The Night” is for those who want a simple action movie where you watch a woman whip a lot of ass without using a gun.
“The Flood” isn’t as bad as one might think, but because of a dull story, it’s more boring than it should be.
The issue with “Mission: Impossible- Dead Reckoning Part One” is that, like its title suggests, the plot and exposition can be so dense that the audience may yawn or laugh.
“The Out-Laws” is a pleasant “watch because it is new, and you feel you’ve watched everything else” movie.
What better way to end 2023 Pride than a movie like “Nimona,” which reminds you how quickly hate spreads when powered by fear and the power behind being able to self-identify?
“Sheroes” is the generic yet less entertaining version of Spring Breakers, with more guns and less sense. If I could walk out of this movie, I would.
“Perpetrator” is more interested in ways to use and shoot blood than truly give life to its characters and anything it sets up plot-wise.
“Bottoms” might be one of the first notable dark-humor teen sex comedies that don’t feel like a female version of something you saw before.
Arnold Schwarzenegger in “Fubar” is a callback to his action movies, but you’ll have a better time rewatching those action movies than watch this.
“The Wrath of Becky” largely delivers what is to be expected—a sarcastic, violent, teenage girl killing nationalists who underestimate her.
American Born Chinese is ambitious and nuanced in its Asian American representation, yet there are parts that feel watered down or changed by its Disney overlords.
While “Mother’s Day” has a big personality character and decent action scenes, it lacks the emotion, adventure, or drive necessary to keep it from becoming background noise.
“The Little Mermaid” thankfully takes enough from the Broadway musical and further creative license from the Hans Christian Anderson story to make an entertaining, though serviceable, film.
The overall goal of Wherever I Look is to fill in that space between the average fan and critic and advise you on what’s worth experiencing.