Warfare (2025) Review & Summary
Warfare brings what Alex Garland learned about the brutality of sound in Civil War, but lacks the characters and story to make this film comparably noteworthy.
A24
Death of a Unicorn (2025) Review
While Jenna Ortega makes the best out of what is offered, a lot of “Death Of A Unicorn” is hit or miss.
Parthenope (2025) Review
“Parthenope” is made for those who use the word cinema as it seeks out to appear like a modern adaptation of a literary classic.
Babygirl: Review and Summary | The Ecstasy Of Vulnerability and Risk
“Babygirl” is the rare example where the story deserves more attention than the performances.
Y2K (2024): Review and Summary
While “Y2K” may bug anyone born in the 1990s and before, it could be a fun film for those who only know the time through Tumblr aesthetics and unearned nostalgia.
Heretic (2024): Review and Summary
“Heretic” uses the hook of horror as an entry point for a deeper conversation about the role and purpose of religion in society.
On Becoming A Guinea Fowl (2024): Review and Summary
“On Becoming A Guinea Fowl” does well in world-building, highlighting a part of Zambia’s less tourist-focused culture, as a family secret gets smothered due to a funeral, rather than getting you into its characters.
We Live In Time (2024): Review and Summary
Andrew Garfield and Florence Pugh star in a romance movie made for those in their 30s, who have had significant relationships and aren’t scrambling with money or their career.
The Front Room: Review
“The Front Room” starring Brandy is the kind of film that needs to be seen with an audience that will make commentary throughout in order to have the best experience.
MaXXXine (2024) – Written Review
Mia Goth returns as Maxine Minx, and with Pearl in her rear-view, so comes the question if Goth can find a way to justify the latest entry of this franchise as she did in “Pearl?”
