How To Make A Killing (2026) – Review and Summary
How To Make A Killing breezes past some of the necessary logic to keep things light, sometimes to its own detriment.
How To Make A Killing breezes past some of the necessary logic to keep things light, sometimes to its own detriment.
Timothée Chalamet somehow gets away with playing an anti-hero underdog who, despite the many ways he screws people over, you still want to see win in the end.
Elizabeth Olsen, Miles Teller and Callum Turner star in this A24 production which challenges Olsen’s character to chose between two men who were the loves of her life, to spend eternity with in the afterlife.
Eternity has A24 present another question about love, with the focus this time being about choosing the fantasy in your head, the “What If?”, or the reality you are familiar with.
Materialists may not hold a candle to Past Lives, but it does present the idea a scripted matchmaking show could be good – just maybe not with the lead characters.
Bring Her Back makes you question what is justifiable when people say, “I’d do anything for my child.”
Warfare brings what Alex Garland learned about the brutality of sound in Civil War, but lacks the characters and story to make this film comparably noteworthy.
While Jenna Ortega makes the best out of what is offered, a lot of “Death Of A Unicorn” is hit or miss.
“Parthenope” is made for those who use the word cinema as it seeks out to appear like a modern adaptation of a literary classic.
“Babygirl” is the rare example where the story deserves more attention than the performances.