Elizabeth Olsen, Miles Teller and Callum Turner star in this A24 production which challenges Olsen’s character to chose between two men who were the loves of her life, to spend eternity with in the afterlife.
Eternity has A24 present another question about love, with the focus this time being about choosing the fantasy in your head, the “What If?”, or the reality you are familiar with.
Materialists may not hold a candle to Past Lives, but it does present the idea a scripted matchmaking show could be good – just maybe not with the lead characters.
Bring Her Back makes you question what is justifiable when people say, “I’d do anything for my child.”
Warfare brings what Alex Garland learned about the brutality of sound in Civil War, but lacks the characters and story to make this film comparably noteworthy.
While Jenna Ortega makes the best out of what is offered, a lot of “Death Of A Unicorn” is hit or miss.
“Parthenope” is made for those who use the word cinema as it seeks out to appear like a modern adaptation of a literary classic.
“Babygirl” is the rare example where the story deserves more attention than the performances.
While “Y2K” may bug anyone born in the 1990s and before, it could be a fun film for those who only know the time through Tumblr aesthetics and unearned nostalgia.
“Heretic” uses the hook of horror as an entry point for a deeper conversation about the role and purpose of religion in society.
The overall goal of Wherever I Look is to fill in that space between the average fan and critic and advise you on what’s worth experiencing.
Welcome to Wherever I Look, your go-to destination for insightful and personable reviews of the latest TV episodes, movies, and live performances. Also, dive into our character guides and discover what’s truly worth your time.
