I Love LA: Season 1 – Review
I Love LA may come off a bit vapid when it begins, but as characters evolve and show their underbelly, things get exponentially better.
I Love LA may come off a bit vapid when it begins, but as characters evolve and show their underbelly, things get exponentially better.
Timothée Chalamet somehow gets away with playing an anti-hero underdog who, despite the many ways he screws people over, you still want to see win in the end.
With the potential of meeting an old flame, who previously set her life on fire, returning, Minnie is hoping for One More Shot to get back together, and some magical alcohol gives her multiple tries.
Dust Bunny is unquestionably a Bryan Fuller film, as it mixes in adult themes, like murder, with a pseudo-childlike whimsy.
Ella McCay has a wonderful number of stories, but the quality of said stories is a whole separate thing.
Never Alone For Christmas: Memphis loses its best plot for the sake of a happy ending.
Amber Riley may not show off her singing skills, but she reminds you that she can offer so much more.
Thanks to brilliant wordplay and poking fun at the aristocracy of the early 1900s, Fackham Hall should be a late entry to everyone’s best comedies of 2025.
If acting is about playing in a fantasy world, Rental Family reminds you how much people’s fantasies are based on the escape of their reality.
Unexpected Christmas doesn’t feel like a theatrical release, but more so a TV movie – like what you’d expect from OWN For The Holidays.