Beetlejuice Beetlejuice: Movie Review
“Beetlejuice Beetlejuice” may avoid feeling like a cash grab, but there is no denying it doesn’t present anything notable to justify being made.
“Beetlejuice Beetlejuice” may avoid feeling like a cash grab, but there is no denying it doesn’t present anything notable to justify being made.
Lucy Hale and Keir Gilchrist may deliver familiar characters from their repertoire, but amongst the odd story and comedy of “Running On Empty,” they make it work.
Starring recent Tony Award winner Kara Young, prepare for a play about two people trying to find closure, with a third character who, with the audience, don’t just watch but become part of the experience.
Starring Dylan Sprouse and Patrick Warburton, “The Duel” provides just as many laughs as it creates opportunities to discuss the modern state of masculinity.
Ryan Reynolds is back as Deadpool and Hugh Jackman comes out of Wolverine retirement to deliver a film more focused on nostalgia than anything else.
Starring Nick Jonas and Alexandra Shipp, we watch a young man romances one woman while he mourns, with his family, the death of his mother.
Dave Bautista and Chloe Coleman return as their characters face new dynamics in their relationship that brings laughs, action, and some generic Russian villains.
“Dragonkeeper” focuses on a young girl who is tasked with rescuing a baby dragon, and discovering her true fate, not the assumed one of being a servant.
Karen Gillan shines as she plays opposite Hugh Bonneville in a mini-series about a veteran journalist who might get cancelled due to an off-color joke.
Colman Domingo uses his talents to give us a prison story about how the RTA (Rehabilitation Through The Arts) changed the lives of some incarcerated people.
“Humanist Vampire Seeking Consenting Suicidal Person” uses people’s love for vampires as a hook, but maintains your attention through its sweet, comical, and awkward characters.
Starring MacKenzie Davis and Christopher Abbott, between them we watch a increasingly estranged couple, potentially towards the end of their relationship, try to enjoy a vacation featuring a young woman enamored by Abbott’s character.
Starring Margaret Cho and Kenneth Choi, in “All That We Love,“ we watch as an estranged ex husband and father with the best/worst timing, tries to reconcile with his ex wife and daughter.
As two long time friends, deal with how they have become estranged, one is dealing with the weight of pending fatherhood, which is leading them to become an anxious mess.
Friends with secrets and drama between them begin to get killed off right before an infamous music festival.
After her best friend’s wake, a woman travels back to a weekend they shared to relive experiencing her friend one last time.
In a multi week spanning movie, Farrah tries to navigate her feelings and frustrations as another wave of COVID hits, as well as the realization some of her relationships might be over.
In “Guy Friends,” a young woman discovers, despite thinking she is a guy’s girl, she’s really just someone multiple guys are waiting for their chance with – and they all make a move when her relationship goes awry.
At times feeling like a visual album, “The Young Wife” delivers both the anxiety and sense of overstimulation that can come when two worlds collide via marriage – especially when there are unresolved issues.
Megan Park delivers another coming-of-age story, but this one focuses on a young woman meeting herself in the future and questioning the sexuality she thought she was firm in.
“The Ms. Pat Show” continues to blur the lines between being a sitcom and drama as it gives its live and at-home audience what feels like a top-notch play.
Starring Glen Powell, known for the recent hit “Anyone But You”, in this Netflix release, he plays an everyday guy thrust to pretend to be a hitman for the New Orleans Police Department in a movie based on a real person.
Starring Ryan Reynolds, Cailey Fleming, and John Krasinski, in this theatrical release, prepare to cry as a young girl deals with her father needing surgery and imaginary friends grieving over being forgotten.
“Babes,” starring Ilana Glazer of “Broad City” and “Survival of the Thickest” star Michelle Buteau, lead Pamela Adlon’s movie depicting the changes a person goes through once they have kids, from their romantic to platonic relationships.
“Not Another church Movie” is barely a parody of Tyler Perry’s work and person, it is an hour-and-a-half series of insults.
Igor Gotesman and Pierre Niney’s “Fiasco” is a funny journey into a filmmaker’s heart of darkness.
As two friends seek out prom dates to hold up a pact they made as kids, you watch a film that seems as beholden to the familiar as its leads are to their promise.
A cast and character guide to Igor Gotesman Pierre Niney’s “Fiasco.”
Ryan Gosling reminds you that while “Barbie” was a high point, there is a reason he has been working for three decades.
Bloody and gory, as promised, “Boy Kills World” is an action movie that, in the latter half, tries to switch things up to possibly good results.
While you may think “Wildcat” is a biopic, more so, it is a series of short stories by Flannery O’Connor linked up and barely featuring the writer in a notable capacity.
“Don’t Tell Mom The Babysitter Is Dead” might be another remake of a popular property, but for those unfamiliar with the original, you may find yourself enjoying this.
“Snack Shack” is fun but may leave you hungry for something more fulfilling.
Season 1 of “Fallout” continues the trend of good video game adaptations we’ve seen recently, with this trying to balance the seriousness of a nuclear apocalypse with the comedy Obsidian Entertainment gave “Fallout: New Vegas.”
“Baby Assassins 2: Babies” delivers much of the same, but without the Yakuza and instead wannabe assassins who want to be official like our leads.
In “Música,” Rudy Mancuso may not reinvent the musical genre but gives something different enough to revive your love for the genre if it has left you jaded.
Alicia Keys is the latest musician to have their work turned into a musical, and like most, this seems geared toward her fans and may not be on Broadway long.
In a comedy that evolves over time, a handful of wicked letters explores what it means to be a woman in small-town Britain in the 1920s.
In what may feel like a series of shorts, “The Concierge” gives you a cute, potentially tear inducing, underdog story.
The overall goal of Wherever I Look is to fill in that space between the average fan and critic and advise you on what’s worth experiencing.
Pages