The End of the F***ing World: Season 1 – Recap/ Review (with Spoilers)
The End of the F***ing World is undoubtedly Netflix’s first big hit of the year, and one of the few which may not be overhyped.
Amari is the founder and head writer of Wherever-I-Look.com and has been reviewing media since 2010. He approaches each production with hope, rooting for every story to succeed, and believes criticism should come from unmet potential, while praise is reserved for work that meets or exceeds expectations.
The End of the F***ing World is undoubtedly Netflix’s first big hit of the year, and one of the few which may not be overhyped.
As some of the rules of the stasis are established, there are tests to see what the overseers may and may not allow.
Like many a violent and graphic anime, while Devilman Crybaby starts off strong, it loses steam quickly and avoids the more interesting avenues it could have taken.
Beatless faces a uphill battle if it doesn’t want to seem like another show which only cares about girls in revealing outfits and lots of explosions.
Saturday Church may have hit or miss musical elements, but Luka Kain and company present a film which sets a precedent for the upcoming Pose to follow.
As Chise makes her first demand of Elias, it seemingly might be her last.
As Chairman Aihara becomes aware of his new granddaughter, he questions who will influence who and makes some preemptive moves.
Freak Show moves past your usual coming-out story and focuses on how to gain tolerance or acceptance, thus presenting a more interesting narrative than often seen in LGBT-focused films.
Gina opens herself up to us a little bit as the show makes it clear that we won’t see El Dorado anytime soon.
If you’re a fan of Taraji P. Henson, you’ll enjoy Proud Mary, if not, this will not be the film to win you over.