Survival of the Thickest: Season 1/ Episode 1 – Recap and Review (Premiere)
While there is always talk about diversity, inclusion, and representation, Michelle Buteau has arrived to put all that talk into action.
Amari is the founder and head writer of Wherever-I-Look.com and has been writing reviews since 2010, with a focus on dramas and comedies.
While there is always talk about diversity, inclusion, and representation, Michelle Buteau has arrived to put all that talk into action.
While many competitions go down, it is Hori and Miyamura supporting one another despite being on opposite sides that becomes the most entertaining part.
While potential couples begin to form, a handful of cast members get into some drama as jealousy and defending their crush’s honor lead to flare-ups.
Giving you something different, “show” desires to give you someone jubilant about the end of the world rather than traumatized by it.
“Earth Mama,” lacking notable male characters, presents a different take on someone who is pregnant, experienced trauma, and is trying to move forward despite a slew of personal and external obstacles in her path.
As “Undead Murder Farce” becomes less about revenge for our leads but justice for other supernatural beings, it takes a curious turn that draws you in more.
While “Talk To Me” comes with graphic imagery and the occasional comical moment, the characters have hastened development which doesn’t really push you to care about who lives or dies, but rather how.
While flawed in more ways than one, “The Idol” does have a few silver linings which allow you to get through it – despite one notable, divisive performance.
We pick up where we left off with Rudy, and he is still down in the dumps until a life-or-death situation wakes him up from his stupor.
A story-driven, rewriting of history in which supernatural beings existed before 1900, and between a half-demon and an immortal girl, both seek revenge on a European who did them great harm.
While titled “Cooking Class,” the episode features all the prep for sports day, which will be featured in the next episode.
“The Lesson” is like a well-crafted book adaptation that knows when to progress the story and when to give its audience time to reflect, theorize, and then press on.
“Ready To Love” returns with its ninth group, and it seems the casting people have toned down the dramatic picks and got less socially awkward people. However, did they find at least six people who can form the final three couples?
“The Out-Laws” is a pleasant “watch because it is new, and you feel you’ve watched everything else” movie.
“Insidious: The Red Door” is a reminder of why it has been so refreshing for new horror movies to not only come out but also get a marketing budget so that you know they exist.
“My Eyes Are Up Here” presents to you a romance complicated by more than just someone’s personal baggage.
In this step-by-step short regarding an environmental apocalypse, a couple meets, reaches a high, and falls apart as their means of fighting what’s coming differs short term, and the long-term goal is unable to unite them.
Can you imagine, to hopefully have kids one day, having to go to a room where everyone knows what you are doing and… you know.
While comical in some ways, “Voice Activated” reminds you how much accessibility matters in the development of technology and patience when dealing with other people.
A young woman who has figured out a way to barely survive finds her estranged father at her doorstep, willing to offer help, but there is a question if old memories will impede forgiveness.
The overall goal of Wherever I Look is to fill in that space between the average fan and critic and advise you on what’s worth experiencing.