Michelle Buteau: Welcome to Buteaupia – Recap/ Review (with Spoilers)
“Welcome To Buteaupia” will remind you of when comedians got hour-long specials because it was time, and they deserved it, rather than a network just needing content.
Season or series reviews of shows, summarizing all you need to know in one post.
“Welcome To Buteaupia” will remind you of when comedians got hour-long specials because it was time, and they deserved it, rather than a network just needing content.
While “Rent A Girlfriend” began with the possibility of being more than another male fantasy anime, it shifts to being what was expected.
While P-Valley takes a while to get its groove, and has misplaced focus with its characters, by the end you’re hooked.
As The Chi continues to prune and grow, you can see it is fearless as it pursues avoiding routine and stagnancy.
The first half of Lucifer’s 5th season reminds you how procedural storylines impede greater development of characters, no matter what the show.
In the final season of Trinkets you can see there was so much left to cover, but the writers salvaged what plans they could.
Don’t Look Deeper feels limited by the way Quibi handles its productions, considering it ends almost as soon as it finishes laying down its foundation.
Season 2 of “The Umbrella Academy” still has a villain problem, but with heading to the 60s comes a new timeline to save and blessed characters.
“Die Hart” feels strange to watch in short clips, and with having to wait so long to see the end, it loses its luster quicker than if you got to watch all at once.
The end if “Greenleaf” may not have begun as a triump finale to the 5 season series, but as it played on viewers’ nostalgia, you were reminded of how great it once was.
While “Servant” sometimes feels like a mini-series that went on too long, with each major reveal, it renews interest and keeps you wanting more.
At times, “Hot For My Name” may make you wish Esther Povitsky didn’t say no to MTV about a reality series, for her parents damn near steal what should be her moment.
While “Hightown” struggles to find its groove at first, after discarding a few storylines and characters, it picks up the pace and becomes a reason to subscribe to Starz.
The first season of “Legendary” has quite a few kinks to it, but there is a serious effort through the performances and backstories to compensate.
“I May Destroy You” presents far more than a narrative about navigating life post being raped. It is a conversation starter with a wide range of topics.
“I Am Not Okay With This” benefits from understanding the normalcy of weird, but its story, which sometimes drags, keeps it from being as good as its potential.
While an inconsistent villain presence does sometimes plague “Gleipnir,” in terms of character investment and story? It goes beyond expectations.
“Sing ‘Yesterday’ For Me” does well in the beginning, but as time goes on, its pacing starts to dismantle its highlights.
“Eric Andre: Legalize Everything” is pure and utter shock value that, if your tolerance is high, your laughs might be low.
“Insecure,” after a lengthy hiatus, returns, and while it does contain explosive moments, it’s the quiet ones that bring out its best scenes.
The overall goal of Wherever I Look is to fill in that space between the average fan and critic and advise you on what’s worth experiencing.