Everything Now (Netflix) Cast & Character Guide
This is a character guide for Netflix’s “Everything Now,” with character descriptions, quotes, names of actors, and more.
In the Young Adult tag, you’ll find coming-of-age stories and productions featuring those in their late teens through twenties getting their lives together.
This is a character guide for Netflix’s “Everything Now,” with character descriptions, quotes, names of actors, and more.
“Totally Killer,” as its title implies, is a fun horror movie to watch but ultimately is more content to consume than a new movie to put into your annual Halloween rotation.
Like many Sci fi dramas, especially those lacking action, “Foe” is dry and even with its twist, passable.
“The Royal Hotel” pushes you to asks questions, especially regarding perception, over be entertained.
Miyazaki’s latest is as beautiful, if not more, than his last. However, it is by no means the type of character driven tales he is known for.
“Elevator Game” may have some missteps, and may not justify its villain’s motive well, but it does have likable characters who you are interested in enough to wonder if they will survive.
A girl who doesn’t plan as well as she should meets a boy who leaves very little to chance, and rather than this leading to them balancing each other out, it sets up a meet-cute story that will certainly make you a fan of Haley Lu Richardson.
“Jaja’s African Hair Braiding” is the type of play that demands an audience reaction as it exhibits community on stage and fosters it within the audience.
In a woodburning oven type of romance featuring usual romance and LGBT+ tropes, you get “Aristotle and Dante Discover the Secrets of the Universe.”
With a “Sex Education” and “Stranger Things” alumni, and the Russo Brothers as executive producers, this had to be good… right?
“Sitting In Bars With Cake” will push you to be grateful for your best friend, or closest friend, as you watch two best friends hit many monumental moments – of which not all are positive.
“Slotherhouse,” like most horror comedies, are enjoyable as long as you can embrace how ridiculous it is for if you look past the superficial, there isn’t much there.
“#ChadGetsTheAxe” harnesses the idea of an influencer in a horror movie in ways that have yet to be done at this level – and it is probably one of the best digital releases of the year.
Lisa Arnold and Kate Larson’s “Into the Spotlight” is cheerful and sunny even in its darkest moments, but the movie spreads itself thin and doesn’t explore its key ingredients in enough detail.
“Deltopia” may be the least fun movie about a party that I’ve ever seen, and writers Michael Easterling and Jaala Ruffman make college seem like a place you never want to go.
This is a character guide for Netflix’s “The Chosen One” with character descriptions, quotes, names of actors, and more.
“The List” is a simple, cute, though sometimes uninspiring romantic comedy.
Landscape with Invisible Hand starts off strong when focused on the humans dealing with an alien invasion. However, once the aliens become a prominent part of the film, it’s hard to maintain interest.
While “Mad Fate” is bizarre and makes an effort to keep up a high level of energy as you are led to wonder when, or if, its lead may snap and kill again, after a certain point, it becomes a bore.
“Susie Searches” struggles due to letting you in on the secret that the film is about.
The mystery in “City On Fire” of who shot Sam, thanks to Chase Sui Wonders, keeps you interested in the show as it struggles to build up its supporting cast.
Similar to the Spiderman franchise, it seems all the “Teenage Mutant Ninja Turtle” franchise needed was to be rebooted enough times to recapture the magic.
This is a character guide for Netflix’s “Zom 100: Bucket List of the Dead,” with character descriptions, quotes, names of actors, and more.
“Earth Mama,” lacking notable male characters, presents a different take on someone who is pregnant, experienced trauma, and is trying to move forward despite a slew of personal and external obstacles in her path.
While “Talk To Me” comes with graphic imagery and the occasional comical moment, the characters have hastened development which doesn’t really push you to care about who lives or dies, but rather how.
While flawed in more ways than one, “The Idol” does have a few silver linings which allow you to get through it – despite one notable, divisive performance.
“My Eyes Are Up Here” presents to you a romance complicated by more than just someone’s personal baggage.
In this step-by-step short regarding an environmental apocalypse, a couple meets, reaches a high, and falls apart as their means of fighting what’s coming differs short term, and the long-term goal is unable to unite them.
Can you imagine, to hopefully have kids one day, having to go to a room where everyone knows what you are doing and… you know.
While comical in some ways, “Voice Activated” reminds you how much accessibility matters in the development of technology and patience when dealing with other people.
A young woman who has figured out a way to barely survive finds her estranged father at her doorstep, willing to offer help, but there is a question if old memories will impede forgiveness.
In a therapy session, Mara recounts all the people who have died she has grown close to and her anxiety that it could soon happen again.
Pitching any kind of film, short film included, and getting financing is hard – but imagine trying to pitch to your dad and uncle who don’t get your vision that much.
Welcome to the 00s when TRL was huge, magazines mattered more than ever, and bellybutton piercings were all the rage thanks to so many pop princesses like Britney Spears.
Alcoholism is a disease which can get passed down from generation to generation but separately, then together, a mother and daughter seek out help with their addiction.
“A Fox In The Night” seems like the beginning of an unexpected romance, and this is an extended trailer.
Work can often get in the way of romance, especially when survival is more paramount than quality time.
“Daddy Issues” is a reminder of the awkwardness which can come the final stages of coming-of-age.
While tediously as long as its predecessor, “Through My Window: Across The Sea” still works well as “365 Days” young adult counterpart.
The overall goal of Wherever I Look is to fill in that space between the average fan and critic and advise you on what’s worth experiencing.
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