The Suicide Squad (2021) – Review/Summary (with Spoilers)
James Gunn brings his style/ the Marvel formula to DC and creates one of the funniest, tear-inducing, action-packed DC movies ever.
James Gunn brings his style/ the Marvel formula to DC and creates one of the funniest, tear-inducing, action-packed DC movies ever.
Gunpowder Milkshake is a simplistic shoot-em-up featuring Russian mobsters, leads recovering quickly, and issues caused by absent parents.
Fear Street: Part 3 (1666) is the perfect ending to the horror trilogy and will make you hope more trilogies resolve as quickly as this one did.
While the sequel to Fear Street: 1994 loses some of the luster of the first entry, at the very least, it ends strong.
Zola’s thrill seems a bit lost in translation from a viral Twitter feed to a motion picture.
Usually, it takes years for a trilogy to be built, but with Fear Street, Netflix is giving you the full story in three weeks, and 1994 sets a positive tone.
The Hitman’s Wife’s Bodyguard is just what you need if you’ve felt laughter, guns, and things blowing up, have been in short supply.
In the heart of New York, a Pittsburgh transplant hopes to start a new life living with his half-sister, but when that doesn’t come to pass, he develops a chosen family.
Spiral: From The Book of SaW is not only one of Chris Rock’s best performances but the best entry into the SaW franchise for quite some time.
Separation tones down the jump scares and rather focus on a creepy set of monsters and its story of revenge.
The Vault may not be competitive in the heist genre, but It does work as something to watch when nothing else is new or on.
Nobody makes for a fun fantasy revenge tale with the type of violence which may make you flinch a little bit.
While Cherry is too damn long, Tom Holland, and especially Ciara Bravo, present the most beautiful, f***ed up love story you might watch for a while.
Despite being a theatrical release, something about Long Weekend feels very much like a VoD release that somehow snuck into theaters.
Boogie tries to be a coming of age tale, romance, drama, and feature its leads heritage to varying degrees of success.
The United States vs. Billie Holiday all boils down to Andra Day as Billie Holiday, and playing on the hatred of the FBI you surely have by now watching these stories.
Billie Eilish: The World’s A Little Blurry acts as a reminder of not only the brilliance of Eilish, but of her age, frailty, and how a small team made a world-renowned artist.
Malcolm & Marie pushes you to understand the complicated middle before a relationship comes to an end.
The Little Things is a tame cop drama in which the sole interesting thing might be Jared Leto getting to play a manipulative suspect.
Stanley buries the lead with sex and ends before you feel it gets to the good part.
A man with a secret finds himself in the company of the other person who knows what he lusts for.
While Our Friend is certain to get you in your emotions and remind you how charming Jason Segel is, it’s excessive time jumps may mess with your experience.
American Skin is a confrontational film. One which confronts your views of police, their victims, and the perspectives the police bring based in fear and a righteous sense of duty.
Dr. Bird’s Advice For Sad Poets is draining, beautiful, yet a reminder that there is no instant cure or end to the struggle of making progress. Sometimes just an occasional reprieve.
Pieces of a Woman is the type of cinema that may benefit from a streaming release as moments come when you need to pause and walk away for a moment.
Like Kemp Powers’ “Soul,” “One Night In Miami” leaves you searching for meaning in past actions and contemplating your path in life going forward.
The Last Shift taps into a quieter story, minus any grandstanding, to allow two characters to be challenged by one another and learn something despite their differences.
Promising Young Woman challenges the revenge narrative you are used to and pushes you to expect more from future stories in the sub-genre.
Ma Rainey’s Black Bottom gives you what you expect from Viola Davis, and in Chadwick Boseman’s final film, he makes it clear he could excel in a role of someone not already an icon.
Despite how predictable Fatale may seem, based on its trailer, believe me when I say it just uses the familiar to make you think you know what’s going to happen.
With Fatale biting Jordan Peele’s use of R&B music to present a horror/thriller in the trailer, could Michael Ealy and Hilary Swank make this Fatal Attraction like movie work?
Sound of Metal has the performances needed to make it a stirring, likely Oscar-caliber movie, but after a certain point, it overstays its welcome.
Uncle Frank, thanks to Paul Bettany and Sophia Lillis, leaves a bit of a heavyweight on your shoulder that can only be relieved with tears.
Similar to Happy Death Day, you’ll find Freaky has an unexpectedly good blend of horror and comedy – though it won’t do for its leads as we saw for Jessica Rothe.
While a definite improvement over the first movie, True To The Game 2 will have you leave the theater a tad frustrated.
True To The Game feels like your standard fare gangster movie, with the only exception being who lives and dies.
A horror movie that is nearly 2 and a half hours – is it worth your time or should you avoid it?
“Charm City Kings,” like so many urban dramas, shows the many rare paths it could take but ends up on the well-trodden road.
“Spontaneous” is one of the rare films that aims to make you laugh, feel, and connect that, for the most part, succeeds in everything it set out to do.
The overall goal of Wherever I Look is to fill in that space between the average fan and critic and advise you on what’s worth experiencing.
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