I Used to Be Funny (2024)
In “I Used To Be Funny,” Rachel Sennott veers towards a more dramatic role, which may struggle at times to hold your attention.
In “I Used To Be Funny,” Rachel Sennott veers towards a more dramatic role, which may struggle at times to hold your attention.
At times feeling like a visual album, “The Young Wife” delivers both the anxiety and sense of overstimulation that can come when two worlds collide via marriage – especially when there are unresolved issues.
Megan Park delivers another coming-of-age story, but this one focuses on a young woman meeting herself in the future and questioning the sexuality she thought she was firm in.
“Babes,” starring Ilana Glazer of “Broad City” and “Survival of the Thickest” star Michelle Buteau, lead Pamela Adlon’s movie depicting the changes a person goes through once they have kids, from their romantic to platonic relationships.
Starring Sasha Pieterse of “Pretty Little Liars” fame, in this digital release, we watch as twin girls attracted to the same man create collateral damage in pursuit of that man.
“Not Another church Movie” is barely a parody of Tyler Perry’s work and person, it is an hour-and-a-half series of insults.
Bloody and gory, as promised, “Boy Kills World” is an action movie that, in the latter half, tries to switch things up to possibly good results.
Zendaya plays the third wheel in one of the most intense love triangles in modern cinema.
While “Abigail” certain has developed characters that could derive interest, the story is made to only be good enough if the only thing you desire is the type of violence only a vampire movie could have.
“Don’t Tell Mom The Babysitter Is Dead” might be another remake of a popular property, but for those unfamiliar with the original, you may find yourself enjoying this.
The overall goal of Wherever I Look is to fill in that space between the average fan and critic and advise you on what’s worth experiencing.