The Harder They Fall (2021) – Review/ Summary (with Spoilers)
The Harder They Fall will remind you why westerns were once the most popular film genre and pushes Jeymes Samuel to potentially be this generation’s Quentin Tarintino.
In the LGBT tag, you’ll find posts featuring productions with LGBTQIA+ storylines, or productions with prominent characters who identify under one of the acronyms.
The Harder They Fall will remind you why westerns were once the most popular film genre and pushes Jeymes Samuel to potentially be this generation’s Quentin Tarintino.
I want you to imagine the intensity in Black Swan mixed with Whiplash, and in that volatile mix, you’ll get Isabelle Fuhrman in The Novice.
While Under My Skin may make you question “Where is this going” and “Why are four people playing one person?” you never get bored.
Sweetheart may not craft the best conflicts or resolutions, but it excels when it comes to teen romance and family dynamics.
Once again, Fantasy Island returns, but this incarnation has women as the lead, strips away the horror element, and tries to bring something new to the formula.
Dear White People ends triumphantly for most, as we not only get to see how senior year went but get an idea of what the future holds.
Outsiders try to infiltrate high society with the goal of not only fitting in but learning the truth and potentially revenge – what more can you ask for?
With the introduction of two non-binary characters, Sex Education continues to explore the complications of relationships beyond the drama we’ve all grown used to.
What She Said presents a broad focus on rape as it covers how the survivor feels, those who were there, and what should be done throughout the aftermath.
The Eyes Of Tammy Faye reminds you how those who seek money and power exploit and tarnish those who have faith in God.
In its second season Motherland: Fort Salem seems overwhelmed by what it can say, do and show, to the point it barely succeeds in what it does do right.
The White Lotus may not hook you from the beginning, but with its murder mystery and after some characters escape your preconceived notions, it gets better.
Is it impossible for a group of teen friends to not have at least one love triangle drama?
After numerous reboots and even a relatively recent movie, Fantasy Island is back but scraps the more horrific elements of the recent film.
In Pink Opaque, we watch as its lead confronts an unstable present, a covered up past, and an uncertain future, as they deal with homelessness.
The first half of The Nevers makes you wonder if the second half of the season is needed to appreciate it or if it’ll just end up more of the same.
Genera+ion, while flawed, more than makes up for its low points by featuring queer people of color who bring a wealth of diverse stories.
Fear Street: Part 3 (1666) is the perfect ending to the horror trilogy and will make you hope more trilogies resolve as quickly as this one did.
While the sequel to Fear Street: 1994 loses some of the luster of the first entry, at the very least, it ends strong.
Usually, it takes years for a trilogy to be built, but with Fear Street, Netflix is giving you the full story in three weeks, and 1994 sets a positive tone.
Beautiful They gives you the soft LGBT+ love story so many ask for but so rarely see.
As open relationships and marriages push for more societal acceptance, the question becomes, if purely in a sexual context, can it work?
On the brink of a major success, two women disagree on the best path forward for one’s career and their shared relationship.
Despite seeming like a generic party film/ girls trip, there is more to Carnaval than meets the eye.
In the heart of New York, a Pittsburgh transplant hopes to start a new life living with his half-sister, but when that doesn’t come to pass, he develops a chosen family.
Genera+ion might represent the next generation of youth dramas which contain a whole new slew of problems, but they all boil down to the same you’re used to.
Redo of Healer is your classic, starts off violent and shocking, but as you become adjusted to the sex and violence, you realize there isn’t much there.
Genera+ion seeks to break away from young adult show trends by having their characters be three-dimensional people and not primarily defined by a specific struggle.
Ginny and Georgia comes off like that film you wanted to be a series, and after watching the first hour, you’ll be left so happy there are so many more.
Despite the show being called Millennials, most of the jokes will feel very much rooted in the 90s – especially considering how politically incorrect they are.
It’s A Sin does deserve points for slightly altering the narrative regarding the AIDS pandemic’s early years, but eventually, it’ll feel like more of the same.
Would You Rather gives you a raw teenage experience, sans the usual sex and drugs.
Ava From My Class pushes you to wonder where the line between admiration and a crush is for its young lead.
Perhaps saving the best for last, No Strings delivers a sense of longing that reminds you how much we’re willing to compromise or settle for the sake of company.
The seduction of someone older and more mature meets realizing their maturity doesn’t mean they are ready for you.
Stanley buries the lead with sex and ends before you feel it gets to the good part.
A man with a secret finds himself in the company of the other person who knows what he lusts for.
In Lolo, you’ll feel like you are watching the childhood years of a group of friends before the time jumps to them as adults.
In It’s A Sin, we’re reminded what can matter more than the right school or job is finding your people — especially if you’re gay men in the 80s.
The overall goal of Wherever I Look is to fill in that space between the average fan and critic and advise you on what’s worth experiencing.
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