The Witch and The Beast: S1 / E4 – Episode Recap & Review
A short recap/review of The Witch and The Best: SEASON 1/ EPISODE 4 “Beauty and Death: Opening Act” starring Toshiyuki Morikawa, Yō Taichi, Saori Hayami and Ryōta Ōsaka.
A short recap/review of The Witch and The Best: SEASON 1/ EPISODE 4 “Beauty and Death: Opening Act” starring Toshiyuki Morikawa, Yō Taichi, Saori Hayami and Ryōta Ōsaka.
This is a character guide for Crunchyroll’s “The Witch and the Beast,” with character descriptions, quotes, names of actors, and more.
In this post, you’ll find summaries of the episodes of Mr. Villain’s Day Off: Season 1, and what we thought were the highlights, low points, on-the-fence topics, and notable parts of the season.
In this post, you’ll find summaries of the episodes of The Witch and the Beast: Season 1 and what we thought were the highlights, low points, on-the-fence topics, and notable parts of the season.
With Rudy and Sylphie confessing their feelings comes the question of how she will handle his ED and whether the first half of the season ends on a high note or one which is bittersweet.
It’s graduation day at Katagiri High School, and while there aren’t tear-filled goodbyes, there are moments for viewers that may bring a tear to your eye.
While we’ve seen Miyamura in the Hori household, it is further established why he melds so well by revealing how Yuriko and Kyousuke met.
With Sylphie’s gender discovered, so comes the question of whether she’ll make a move or have it where she and Rudy just share this secret, and not much comes of it.
As the second season enters its final episodes, we get an episode that feels more akin to what we got in season 1, as Hori’s insecurities and violent nature are displayed.
In a mostly slice-of-life episode, we’re reminded of Rudy’s daily routine. But, with him, once again, questioning his feelings for Sylphie, it seems we’re starting to get to the point where he wants to act on what he feels.
It’s Valentine’s Day, and for Sawada, Hori, and Miyamura, it means coming up with something good for their favorite person – and Sawada maybe making a new friend.
As Sylphie continues to wrestle with her feelings, she introduces Rudy to someone of his past who causes him to have a dramatic and visceral reaction.
For those who might have been uncomfortable with the last two episodes, rejoice! While Rudy does have perverted moments, this episode is more dedicated to his strength as he takes on multiple duels.
The kids’ favorite perverted teacher, Yasuda, is focused on.
Rudy gets back into being a bit of a divisive pervert after Zanoba reveals to him what the Doldia girls did.
Like previous episodes with named characters, what begins to be about them, eventually focuses on others perception of them, with barely any new information or progress in any storyline.
Sawada and Sakura get some notable focus as we peer into their lives – from what makes Sakura’s life joyful to what makes Sawada’s life hard.
Rudy continues to grow closer to Fitz, to the point of questioning his sexuality, and he ends up in a slave market in this episode.
After wasting half the episode with a sleepover, we get to see Remi and Sengoku’s relationship have more focus than ever before.
Rudy arrives at the Ranoa University of Magic where familiar faces from season 1, like Sylphie’s, greet him, and he gets into a situation that could trigger ill feelings from his past.
While Elinalise’s arrival comes with multiple instances of good news, unfortunately, Rudy still is unable to take advantage of what Elinalise is known to offer.
We take a break from your regularly scheduled focus on Kyoko and Izumi to allow Shuu some level of spotlight.
The case dealing with who killed Jean’s wife comes to a slightly anti-climatic close but does set up meeting the man you want the show to focus on.
This is a character guide for Crunchyroll’s “Undead Murder Farce,” with character descriptions, quotes, names of actors, and more.
Rudy goes on his first date and has his first opportunity to have sex after what happened with Eris, but – things go awry.
In an episode primarily taking place in the Hori household, we watch the day and day out of Kyouko and Izumi’s relationship and learn how she and Kakeru are bonded, partly by their parents.
As more evidence is presented to narrow down who killed the lady of the house, Aya and Tsugaru are threatened based on even the hint of accusations.
Rudy meets an enemy who may not, yet, lay a hand on him, as one of his new friends are put in a life and death situation, with one not making it.
While many competitions go down, it is Hori and Miyamura supporting one another despite being on opposite sides that becomes the most entertaining part.
As “Undead Murder Farce” becomes less about revenge for our leads but justice for other supernatural beings, it takes a curious turn that draws you in more.
We pick up where we left off with Rudy, and he is still down in the dumps until a life-or-death situation wakes him up from his stupor.
A story-driven, rewriting of history in which supernatural beings existed before 1900, and between a half-demon and an immortal girl, both seek revenge on a European who did them great harm.
While titled “Cooking Class,” the episode features all the prep for sports day, which will be featured in the next episode.
Set before graduation, this episode gives you more time with the cast than adds any notable details.
Rather than pick up continuing Rudy’s quest, “Mushoku Tensei Jobless Reincarnation” decides to fill in the gap between Rudy leaving Sylphie behind and what she did after the destruction of Buena Village.
The end of “Tomo-Chan Is A Girl” will likely bring a tear to your eye, even as Jun pushes back the goalpost.
HAS THE MOMENT FINALLY COME? Will Tomo and Jun be on the same page and, dare I say, enter a relationship?!
Misuzu increasingly finds herself facing how she might impede Tomo’s relationship with Jun, which weighs on her.
Alongside fleshing out why Jun didn’t talk to Tomo for a year and his short relationship with Misuzu, he finally earns his Gameboy back.
The overall goal of Wherever I Look is to fill in that space between the average fan and critic and advise you on what’s worth experiencing.