Adapted from a Haruki Murakami short story, “Drive My Car” masterfully weaves together storylines in a film about loss and learning to live with grief and guilt.
|Screenplay By||Ryusuke Hamaguchi
|Date Released||November 24, 2021
MArch 2nd, 2022 (HBO Max)
|Where To Watch||In Theaters|
|Content Rating||Not Rated|
|Yusuke Kafuku||Hidetoshi Nishijima|
|Misaki Watari||Toko Miura|
|Oto Kafuku||Reika Kirishima|
|Koji Takatsuki||Masaki Okada|
|Lee Yoon-a||Yoo-rim Park|
Although stage actor Yusuke and TV writer Oto Kafuku’s marriage is far from perfect, her unexpected death devastates Yusuke, who blames himself for not returning home sooner on the day of Oto’s death.
Three years later, Yusuke is still trying to process that loss while directing a multilingual adaptation of Chekhov’s play “Uncle Vanya” in Hiroshima.
Among the play’s cast is Oto’s former lover Takatsuki, an impulsive young man and former TV star mired in scandal, whose conversations with Yusuke provide further insight into Oto’s character. Yoo-rim Park also gives a breakout performance as the mute Korean actress Lee Yoon-a, proving that spoken dialogue is not always necessary for effective storytelling.
The second protagonist is Misaki Watari, Yusuke’s chauffeur during his artistic residency and a stoic young woman who earns Yusuke’s respect for her skill in driving the eponymous red Saab 900 car. Misaki’s own complex backstory unravels through the shared long commutes with Yusuke, revealing they may have more in common than it seems.
Things To Note | Question(s) Left Unanswered
- Reason(s) for Film Rating: Nudity, simulated sex, smoking, drinking.
Collected Quote(s) & .Gifs
“What can we do? We must live our lives.”
— Oto Kafuku and Lee Yoon-a
All the Levels of Storytelling
It’s fitting that a film adapted from a short story would incorporate so many layers of storytelling. There’s the story Oto tells Yusuke about a high schooler stalking her crush combined with the story of “Uncle Vanya” told both through the rehearsal process as well as through Oto’s audiotape that Yusuke constantly plays in the car.
Both these fictional stories give us a glimpse into the minds of the characters and provide a backdrop for the unraveling of Yusuke and Misaki’s narratives. There is so much to unpack in this intricately woven tapestry of stories – Drive My Car is sure to linger in your mind long after you’ve left the theater.
The Multilingual Adaptation of “Uncle Vanya” and Ideas on Communication
Most of the film takes place during the rehearsal period of “Uncle Vanya,” where we get to see Yusuke’s directorial vision of having actors perform the play in different languages. What starts off as an artistic curiosity develops throughout the film into a demonstration of how communication is not just about words, but also body language and voice intonation.
This style of communication is why Yusuke’s version of “Uncle Vanya” works. It’s also why characters from different nationalities can interact and develop relationships with each other off-stage (and why we as an audience can relate to foreign-language films).
On the flip side, it can be easy to rely too heavily on shared language for communication – something that the film hints at within Yusuke and Oto’s relationship. Although Yusuke believed they were both satisfied with their marriage, Takatsuki later casts doubt on Oto’s real feelings, suggesting that understanding each other’s words doesn’t always correlate to understanding each other.
On The Fence
A Lot of Conversation
There is certainly a lot of talking in this three-hour slow burn film. It requires a good amount of concentration (and reading), and director Ryusuke Hamaguchi invests significant screen time and backstory into most of the characters. If you have the patience to sit through all the dialogue, however, and you can keep all the background information straight, you are in for a rewarding experience.
Drive My Car, which has already won the Golden Globes for Best Non-English Picture, is an intense character study centering around grief and how we choose to live with loss. It’s a story within a story (adapted from a short story) that leaves audiences with much to think about long after the film is finished.
On The Radar
- Recommended: Some of the best-seen movies we have ever watched and mentioned to friends, family, and strangers as films that need to be seen.
- Positive (Worth Seeing): Whether you’ll have to go to the movies, download, or stream, movies of this category are worth your time and money with few, if any, qualms from us.
- Mixed (Divisive): Due to this movie having a few quirks, of which may work for some and for others be a problem, we believe your enjoyment of this movie will depend on your taste.
- Negative (Acquired Taste): While one or two elements kept us going until the end, unfortunately, we’re of the opinion this film never reached the potential it was marketed to have.
Special Categories/ Tags
- Indie: By our definition, independent films are films you have to seek to find due to limited availability or lack of a marketing push.
- Film Festival: Featured in this tag are films and shorts which were discovered thanks to various film festivals, so some of the productions may not have wide availability but still may deserve to be on your watch.
- Shorts: Be it ten or fifteen minutes, or a half-hour, these quick teases or films get right to the point, often show the potential of filmmakers and the actors who have joined them in their journey.
- Ending Spoilers: Trying to remember how a film ended, or want a different take on the ending, then check out the "ending spoilers" category.