The Colors Within Review: A Sweet Slice Of Life Movie, With Replay Worthy Music At The Tail End
“The Colors Within” creates what feels like a coming of age tale that doesn’t have overdone characters, struggles, or triumphs.
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“The Colors Within” creates what feels like a coming of age tale that doesn’t have overdone characters, struggles, or triumphs.
While Isabelle Fuhrman creates a connection with viewers, her connection with Mena Massoud is tainted too early in “Wish You Were Here” to remain in love with the idea of these two.
With Martin Portlock switching between Pennywise and Joker, and the surprising LGBT+ themes make “Peter Pan’s Neverland Nightmare” shocking in more ways than one.
“One Of Them Days” is the kind of comedy that you can see become a single outing or a franchise in Issa Rae and Keke Palmer’s filmographies – depending on how well it does.
While Pamela Anderson reinvents herself, it sometimes seems at the cost of giving the spotlight to her peers, with perhaps as much to prove.
With mixed results, “Good Side of Bad” seeks a less embellished version of experiencing a mental illness or supporting someone that does.
“Blended Christmas” shows the challenges of a family which includes bonus children, an ex-spouse, and the effort for everyone to come together during Christmas.
“Bloody Axe Wound” achieves the rare balance of being funny, heartfelt, romantic, and bloody.
“Babygirl” is the rare example where the story deserves more attention than the performances.
“Nosferatu” doesn’t justify bringing back the dead, even with Robert Eggers’ brand of visuals and eccentric performances to expendable characters.
The overall goal of Wherever I Look is to fill in that space between the average fan and critic and advise you on what’s worth experiencing.