Nosferatu (2024): Review and Summary | The Original Vampire Fails To Retake Its Crown
“Nosferatu” doesn’t justify bringing back the dead, even with Robert Eggers’ brand of visuals and eccentric performances to expendable characters.
Movies
Discover our top picks and latest reviews spanning from blockbuster hits to indie films, shorts, and festival premieres across various platforms.
The Fire Inside (2024): Review and Summary | The Black Girl Coming Of Age Story You’ve Been Waiting On
Beyond being an inspirational story focused on Claressa Sheilds, “The Fire Inside” is a coming-of-age story you rarely see Black girls have on the big screen.
F Mary Kill (2024): Review and Summary
“F Mary Kill” presents a lighter and comical version of “Cat Person ” regarding what women may fear when dating men.
A Season To Remember (2024): Review and Summary
OWN For The Holidays returns, and as it becomes one of the last instances when OWN releases scripted content, this tame but likable film is not the best way to start the season.
Y2K (2024): Review and Summary
While “Y2K” may bug anyone born in the 1990s and before, it could be a fun film for those who only know the time through Tumblr aesthetics and unearned nostalgia.
Werewolves (2024): Review and Summary
“Werewolves” reminds you why the werewolf trend hasn’t revived like vampires despite multiple movies in a year with no true revival in sight.
Brewster’s Millions: Christmas (2024): Review and Summary
“Brewster’s Millions Christmas,” like many movies using name recognition for a boost, feels like it didn’t and shouldn’t have used its predecessor as a crutch, for this one could have stood on its own.
Allswell In New York (2024): Review and Summary
“Allswell In New York” will likely become a movie you badly wish was at least a mini-series, for while a completed film, it feels like such a tease.
The Day Before Christmas (2024): Review and Summary
“The Day Before Christmas” gives you a corny but likable romance building around Christmas.
Sweethearts (2024): Review and Summary
While much of what is to be expected is given with “Sweethearts,” at least the gay character, who feels obligatory/formulaic for films like this, is given a much better storyline than expected.
