Amari is the founder and head writer of Wherever-I-Look.com and has been writing reviews since 2010, with a focus on dramas and comedies.
As we reach the penultimate episode of the season, minus the reunion show episodes, some finally realize that things won’t work, as others struggle to make a final decision.
The show about cannibals finally has everyone be a cannibal, as Misty meetings her match in modern times, thanks to Elijah Wood’s Walter.
It is a Banks family reunion, and alongside meeting Phil’s mother and brother, we learn competition runs deep in his family.
The end of “Tomo-Chan Is A Girl” will likely bring a tear to your eye, even as Jun pushes back the goalpost.
“Summoning Sylvia” is one of the funniest horror movies you may ever see, that is intentionally funny and good.
While the narration may feel unnecessary, and many fights don’t pack a punch, Kiana Madeira keeps you locked in.
“Dance For Me” delivers what is expected from a crazy light-skinned ex, a new guy with potential, and many sad childhoods that should have led many to a therapist’s chair.
This episode features our leads investigating a white supremacist sect and the question of whether the prevention of domestic terrorism should lead to a not-guilty verdict.
“Wildflower” brings us one of the most touching stories about families needing to learn to trust they did enough and their kin can make it on their own.
Intense in every which way the word can be used, “A Brush of Violence” hits hard, doesn’t overstay its welcome, and leaves you wondering what Daniel Lawrence Wilson may produce next.
The overall goal of Wherever I Look is to fill in that space between the average fan and critic and advise you on what’s worth experiencing.
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