Taylor Tomlinson: Quarter-Life Crisis (2020) – Review, Summary (with Spoilers)
With Tomlinson avoiding joking about blackout drunk sex, there is something refreshing about her.
With Tomlinson avoiding joking about blackout drunk sex, there is something refreshing about her.
As Mr. Inbetween trims the fat and highlights what made the first season great, it finds the perfect balance between Oz gangster and family man.
Anne With An E proves itself to be a rare breed by maintaining its quality over three seasons, while still developing its characters and expanding its cast.
Part manic stand up special, as well as reflective documentary, Jenny Slate: Stage Fright gives you both the performer and the person who had to live life to write the jokes.
David Makes Man presents us with a coming of age story, featuring a young Black child, that often is restricted to indie movies which vie for Oscars.
Deon Cole’s Cole Hearted is the first special, in a long time, that is not only funny but quotable as hell.
Mo Gilligan: Momentum is unlike most comedy specials you may have seen before and makes Gilligan someone you have to keep a watch on.
In “Sticks & Stones” Chappelle reaches peak “I Do Not Give A F***” as he delves into Michael Jackson, the LGBTQ community, and more.
Kevin Hart’s Guide To Black History feels like a potentially classic edu-tainment program like what used to come out steadily in the 90s and early 00s.
Sharp Objects, once it gets into its groove, reminds you why mini-series make for the best method to do book adaptations.
The overall goal of Wherever I Look is to fill in that space between the average fan and critic and advise you on what’s worth experiencing.