Judd Apatow: The Return – Recap/ Review (with Spoilers)
There comes a certain point where you wonder if this is a comedy special or people are paying to be this man’s silent therapist.
Season or series reviews of shows, summarizing all you need to know in one post.
There comes a certain point where you wonder if this is a comedy special or people are paying to be this man’s silent therapist.
Spike Lee’s modernized She’s Gotta Have It finds the middle ground between shows like Insecure and the TV programming of Lee Daniels and Mara Brock Akil.
Michelle Wolf’s Nice Lady is a comedy special for a different kind feminist. You know, the ones which could care less about always being politically correct.
Who said you need fancy animation and an Oscar bait kind of story to make something as tear-inducing as Hey Arnold: The Jungle Movie?
Better Things remains a show without any direct peers and it makes you wonder why it took so long for someone to give Pamela Adlon a show?
Queen Sugar remains one of the top shows if you want a diverse depiction of Black folk. However, one could argue they took advantage of that monopoly in the 2nd half of the season.
Barbara: The Music… The Mem’ries… The Magic! Will surely turn any casual fan, or those who know Streisand just for her acting, into a fanatic for her music.
DeRay Davis: How To Act Black doesn’t push you into thinking Davis is overdue for a special but is still enjoyable nonetheless.
Stranger Things’ second season not only presents a serious new villain, and more complicated characters but also finds a way to make minor characters more relevant.
Mea Culpa is like a Spanish language version of Amy Schumer’s infamous Leather Special.
The overall goal of Wherever I Look is to fill in that space between the average fan and critic and advise you on what’s worth experiencing.