How Not To Summon a Demon Lord: Season 1 – Recap/ Review (with Spoilers)
How Not To Summon a Demon Lord is such a frustrating show. For it seems to know what it would need to be better than what’s delivered, but is too lazy to be consistent.
Season or series reviews of shows, summarizing all you need to know in one post.
How Not To Summon a Demon Lord is such a frustrating show. For it seems to know what it would need to be better than what’s delivered, but is too lazy to be consistent.
Maniac ultimately seems like a good book that was adapted into a lopsided production that relied heavily on its female lead as it let its male lead drown.
A bit dated, and lacking the type of punch you may be expecting, D.L. Hughley: Contrarian has its moments but lacks a reason to be called a classic.
Atypical continues to exemplify the capabilities of high functioning people with autism, while not making that the sum of the lead or show.
The Bobby Brown Story seemingly had two goals in mind: Demystify his relationship to Whitney Houston and show how much better he is now.
Season 2 of Ozark is a great improvement of the first and it is all thanks to the women, sans Charlotte and Rachel, of the show.
Sharp Objects, once it gets into its groove, reminds you why mini-series make for the best method to do book adaptations.
Season 3 of Queen Sugar feels like a transition season as it wraps up the trials and tribulations of the first two seasons and preps for the show’s future.
August 28: A Day in the Life of a People needs to be a perennial feature on OWN, and a play done across the nation during Black History Month.
The Innocents lacks a real, and consistent, hook, but June and Harry’s relationship, alongside a character named Kam, pushes you to hope the season will get better as it goes on.

The overall goal of Wherever I Look is to fill in that space between the average fan and critic and advise you on what’s worth experiencing.