Hey Arnold: The Jungle Movie – Recap/ Review (with Spoilers)
Who said you need fancy animation and an Oscar bait kind of story to make something as tear-inducing as Hey Arnold: The Jungle Movie?
Season or series reviews of shows, summarizing all you need to know in one post.
Who said you need fancy animation and an Oscar bait kind of story to make something as tear-inducing as Hey Arnold: The Jungle Movie?
Better Things remains a show without any direct peers and it makes you wonder why it took so long for someone to give Pamela Adlon a show?
Queen Sugar remains one of the top shows if you want a diverse depiction of Black folk. However, one could argue they took advantage of that monopoly in the 2nd half of the season.
Barbara: The Music… The Mem’ries… The Magic! Will surely turn any casual fan, or those who know Streisand just for her acting, into a fanatic for her music.
DeRay Davis: How To Act Black doesn’t push you into thinking Davis is overdue for a special but is still enjoyable nonetheless.
Stranger Things’ second season not only presents a serious new villain, and more complicated characters but also finds a way to make minor characters more relevant.
Mea Culpa is like a Spanish language version of Amy Schumer’s infamous Leather Special.
Alias Grace is a reminder that big and showy performances are by no means needed to get the point across. Sometimes just a bit of coyness, dagger like stares, and a tad bit of mystery is all that is needed for entertaining and award-worthy performances.
After being away for nearly a decade, Raven Symone and Anneliese van der Pol return to the Disney Channel and quickly adapt to the culture change since That’s So Raven ended.
While Liar starts off strong, as characters make ridiculous decisions and the truth gets revealed too early, it flounders.
Big Mouth strangely finds a way to present the vulgarity of one of its few peers, South Park, alongside having the type of heart that the Disney Channel has recently afforded its shows.
Quite honestly, with what we get in Blade Runner: Black Out 2022, I’d rather have this be a series than us getting Blade Runner 2049 Director: Shinichiro Watanabe
Some of the greatest comedians from the original Def Comedy Jam hit the stage, but mostly to read off prompters and introduce clips and others. Leaving only a handful of moments where you understand how this show became a hit.
Insecure: Season 2 for some characters was a stepforward. One in which you could see maturity and growth. However, sometimes becoming a better person is just uncomfortable so some end up regressing. More on that below.
While Jeff Dunham’s stereotypical puppets are losing their edge, Walter and Peanut help show Jeff still has it.
The Bold Type is the perfect mold between FreeForm’s primary focus and that of its former identity, ABC Family. We get both FreeForm’s obsession with young, modelesque young adults while we get what ABC Family did best. Which is pushing the envelope, bring about diverse and intriguing stories, while also catering to that a teen…
While Lynne Koplitz: Hormonal Beasts won’t lead you to question why it took her 20 years to have a special like this, it will lead you to wonder why haven’t you heard of her before?
While not a potential classic, and kind of disappointing after Girl’s Trip, Tiffany Haddish: She Ready! From the Hood to Hollywood is a decent comedy special.
I can’t remember where, but recently I read something to the effect of Netflix being the new HBO. Something which Castlevania adds fuel to. If only because, while gloriously violent, like some HBO shows, it is rather thin in story.
After the still fairly recent NWA movie, Straight Outta Compton, you might think the world was done putting the spotlight on Dr. Dre. However, there is always more to a story than even a two and a half hour biopic can cover. Especially one you are sharing with 4 other men. For it was missing…
The overall goal of Wherever I Look is to fill in that space between the average fan and critic and advise you on what’s worth experiencing.