The Quad: Season 2 – Recap/ Review (with Spoilers)
Ultimately, The Quad was a show with good ideas that had never really found a way to execute the majority of its plots for long-term success.
Season or series reviews of shows, summarizing all you need to know in one post.
Ultimately, The Quad was a show with good ideas that had never really found a way to execute the majority of its plots for long-term success.
Beautifully tragic. Essentially that is what The Ancient Magus’ Bride is. A story dealing with neglect, ostracism, outright abandonment, and trying to figure out a way to more than just deal with it but find stable sources of joy.
Garo – Vanishing Line is bloated and surely not going to push you to look into the other series under the Garo umbrella.
Kokkoku ultimately is like walking down a dead end street, reaching the end, and continuing to walk forward, into an empty lot, hoping to find something valuable.
Citrus has its moments. Especially when addressing female homosexuality in Japan. However, despite the growth of character Yuzu, it’s more about tantalization than substance.
The Good Doctor starts strong but as you get used to the tear-jerking patients and moments of the hospital staff, you begin to see flaws which can use some patching up.
The Chi acts as a bridge between the 80s – 00s Black Renassiance to the modern one by reviving familiar stories, continuing ones that got cut short, as well as featuring characters who were seldom seen or heard.
On My Block balances what it means to live in an urban gang area, while never forgetting these are but 13 – 15-year-old kids trying to make the best of a bad situation.
Requiem is, by all means, an adequate, I got a few hours to spare, TV show to binge, but nothing you are going to want to push others to watch and talk about.
B – The Begininng seems like the kind of product that had too many people involved with writing the script and left one person to ultimately salvage what could be used.
Unpredictable and outlandish is the only way to describe Marlon Wayans: Woke-ish, as he proves not just why the Wayans are one of the funniest families in comedy, but why he is one of the funniest comedians period.
With this series, we get a taste of the Black Panther in such a way that may never be seen with this much investment again.
Over the course of 18 characters, Anna Deavere Smith doesn’t just present a masterclass in acting but also understanding the various aspects of the school to prison pipeline.
Chris Rock, thankfully, brings a comedy special light on Trump and while it delves into his personal philosophies, he doesn’t turn his standup into a college lecture.
Altered Carbon stumbles quite a bit in its first season, but thanks to the characters of Quell and Rei, it leaves you craving for a second season.
The second season of One Day At A Time comes swinging hard and though it gets formulaic after a certain point, it never really loses its heart and passion for what it is trying to represent.
Gate: Jieitai Kanochi nite, Kaku Tatakaeri, or simply Gate, slowly turns from something which seems like a silly ecchi filled anime to something which really holds clout in terms of presenting fantasy, action, and character development.
Harith Iskander’s “I Told You So” is the kind of comedy special which makes you hope Netflix snatches Iskander up and offers him more than additional special, but perhaps a show.
Marvel’s Runaways seems like a FreeForm show that got dropped but being that it is a Marvel product, Disney decided to slap it onto Hulu just to see what would happen.
Katt Williams: Great America won’t make you think Katt Williams hasn’t missed a step since his height in 2008/2009, but his set will bring enough nostalgia to see you through till the end.
The overall goal of Wherever I Look is to fill in that space between the average fan and critic and advise you on what’s worth experiencing.