Wicca Book – Review, Summary (with Spoilers)
Thanks to minimal dialog, “Wicca Book” has a specific creep factor but leaves you disconnected from its characters.
You can see potential in the future, but it is hard to tell if you’re being optimistic or the series just needs time to flesh everything out.
Thanks to minimal dialog, “Wicca Book” has a specific creep factor but leaves you disconnected from its characters.
In one of the few comedy tapings you may ever see with a co-writer, Leslie Jones will get a few laughs out of, but doesn’t craft what we formerly called a special.
Loss and the adjustment required to bring something into your heart is the focus of the first half of season 3, and for no character is it easy.
“High School Musical: The Musical: The Series” is a showcase of Disney’s up and coming talent beyond what we’ve previously seen.
“Ready To Love” still has the issue where it seems more about people “Ready To Date” and that continues to complicate the show’s overall goal.
The second season of “You” feels a bit formulaic, but Penn Badgley makes up for it by continuing to make you wonder how far Joe can go before he’s unforgivable?
In “The Planet Is Burning,” Ilana Glazer speaks to her people and her core audience. If that isn’t you, I can’t necessarily say she’ll win you over.
His Dark Materials, while wonderfully led by Dafne Keen, of Logan fame, struggles with weak reveals and lack of urgency.
With a change in one-half of the shows, and no crossing over, is the newest entry of Live In Front Of A Studio Audience as good as the first?
While it takes Chieng to warm up a little longer than it should, once he sets up the jokes for the latter half, it is all smooth sailing.
Being married and a stand up comic, especially a female one, isn’t a common thing, so Iliza Shlesinger takes advantage of this to break down how strange weddings are.
Greenleaf’s fourth season pushes the idea that it should get one more season to wrap things up, and leave it at that.
Rhythm + Flow, one of Hip-Hop’s first popularized music competitions, may have a few flaws but shows potential.
As long as you like the idea of strictly hearing sex jokes for an hour, you’ll enjoy Nikki Glaser: Bangin’.
After a slow start, showing you why Dunham uses puppets to get a laugh, things kick into high gear in Beside Himself.
Season 2 of Elite brings you to question what are the long term plans for this series and whether the characters will make it worth it.
Season 1 of Carnival Row is ambitious and builds a wonderful world filled with lore, but the majority of its characters fail to really make that world come to life.
Like many shows which use violence as a selling point, The Boys’ use of gore and shock wears off fast. Thankfully, however, there is a sense of emotional depth to compensate.
While season 3 of Claws may feel formulaic as a whole, being able to note the growth of each character since season 1 compensates for that immensely.
Marina Franklin: Single Black Female is a solid hour of material from a conversational comedian who will definitely push you to check what else she has out there.
The overall goal of Wherever I Look is to fill in that space between the average fan and critic and advise you on what’s worth experiencing.