The Asunta Case (2024) Review – A Gross Retelling of Tragedy
Netflix’s “The Asunta Case” struggles to say why it exists outside of profit and sensationalism.
You can see potential in the future, but it is hard to tell if you’re being optimistic or the series just needs time to flesh everything out.
Netflix’s “The Asunta Case” struggles to say why it exists outside of profit and sensationalism.
Netflix’s “3 Body Problem” has a story-telling problem.
“Safe Home” is a 4 episode series about family violence that can be a challenge to watch but reminds you these stories are more than just content.
With silly twists and disjointed plots, Netflix and Harlan Coben’s “Fool Me Once” feels like at least three shows stuffed into one.
Netflix’s “Yu Yu Hakusho” may satisfy anime or manga fans, but for those new to Yusuke’s spirit adventures, the live adaptation will be a head-scratching mess.
Netflix’s “A Nearly Normal Family” is a nearly normal crime story these days.
Prime Video’s “Everybody Loves Diamonds” should be a slick ride, but a heist story told in 8 episodes makes the ride stop-and-start.
Mike Flanagan’s “The Fall of the House of Usher” is an entertaining and ghoulish time, but fans of Edgar Allan Poe’s classics may roll their eyes.
Netflix’s “Burning Body” tells the spicy story of Rosa Peral, but fizzles out halfway through.
Netflix’s “Dear Child” starts with heart-racing suspense, but your heartbeat slows as the mystery drags to a disappointing ending.

The overall goal of Wherever I Look is to fill in that space between the average fan and critic and advise you on what’s worth experiencing.