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Magane [note]I know I’m inconsistent when it comes to her name[/note] takes on Meteora’s role of being the talkative one. But, at the very least, she knows how to remain interesting as she goes on and on.
While Buffy’s storyline sticks with what we’re used to, Andi and Bex’s maintains the show’s more mature direction.
Nina’s connection with Favaro and Jeanne D’Arc, is the focus in “Same Old, Same Old.” For Favaro, it is her history with him and with Jeanne, her potential future.
Joe’s blind patriotism, as with most of his beliefs, has exceptions. However, being that he has an eternal struggle with Jerrod, he can’t lose one single battle to his boy.
As usual with The Carmichael Show, we are given a complicated topic, in this case, rape. Something which gets dissected as if this was a chat show. One in which, like The View, The Real, or Real Time with Bill Maher [note] Odd group, I know [/note] there are multiple points of views you may…
Would it be wrong, if not odd, to say I was a bit bored by “Jezebel?” Granted, we got another character’s background story and saw someone from June’s past, but I found it difficult to be excited or engaged. To help understand why, look below.
SukaSuka (World’s End) is still trying to really convince you to invest in Willem and Chtholly’s relationship. But it remains rather unconvincing.
Sarah Silverman is the type of comedian who definitely isn’t everyone’s cup of tea. Yes, she is/was popular enough to have her own show. However, she isn’t the type of comedian who gets their own movies. Which is fine since she is at her best in supporting roles, see A Million Ways To Die In…
So, Gotham tries to do the unexpected. However, with such robotic acting from the people who should surprise us, it sort of falls flat. But, thanks to some old friends, it seems the finale at least will be interesting.
At this point, it is becoming hard to justify the inactivity of the show. For even with a new Dreams of Alice user being introduced, I find myself being pushed toward sleep.
Being politically correct, or fearing backlash, has changed the output of comedy. This can especially be said for network TV for the Archie Bunker types could never get a green light nowadays. However, The Carmichael Show seems to dance on that line. The line of which what an overly sensitive culture will allow for comedy…
The majority of the episode focuses on everyone learning Altair’s name and background. However, alongside that, we have Mamika confronting Altair and Chikujoin interacting with Sota. Alone.
The aftermath of Azazel’s failed rebellion is predictable but not who we get to see after the credits roll.
Rather than drag out what may have happened to Luke, as I want to believe they are doing with Moira, we get an episode dedicated to him.
SukaSuka or Worlds End continues to seem like it wants to build toward something but stumbles too much to make significant progress.
One villain’s life comes to an end and one hero’s journey gets derailed. Can you guess who is who?
As Sana experiences emotions, we get some background on the twins’ past and their present conditions.
Outside of the battle continuing from the last episode, there isn’t much going on with Re:Creators right now. Though with a 22 episode order, that explains why we end up with more exposition. Though thankfully not from Meteora.
Being that Bowie has 16 years of spending time with Andi to catch up on, he gets a little overzealous. But he is, afterall, trying to be part of a family he didn’t know he had.
Blame! Would lead you to believe that Netflix is testing out the possibility of expanding this to a series but wants to see their subscribers’ response is first.
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