Just Because!: Season 1/ Episode 12 “Get Set, Go!” [Season Finale] – Recap/ Review (with Spoilers)
Just Because! comes to an end and while bittersweet for some, it is the beginning of something wonderful for others.
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Just Because! comes to an end and while bittersweet for some, it is the beginning of something wonderful for others.
We have come to a point in Runaways where it has perhaps come into its own. Though I could be speaking too soon.
Juni Taisen (Zodiac War) is the ultimate showing of a program peaking too soon and then nose-diving off a cliff.
Season 2 of Good Behavior really pushes your suspension of disbelief to trying levels. Especially in terms of Letty’s silver tongue.
It’s time to experience some family struggles with Quinta, just in time for the holidays.
The first half of Star Season 2 pushes us 5 months after the season 1 finale and it seems despite the major career step, everyone’s personal lives remain in disarray.
It seems Satoru didn’t go far enough in his last visit to the past, and he sees the consequences of that.
It’s a bit of an emotional episode as we hit the halfway point of the season. One in which Chise begins moving on from her past.
“Family” is another episode which gives one noteworthy detail while the rest feels like filler.
Everything is coming in alignment now for our group of kids. Leading you to wonder will we get something predictable or be thrown a curve ball?
It seems we are inching closer and closer as to why this show is named Runaways as each kid’s life as they know it gets threatened.
And so Juni Taisen ends and just as most of the season has been anti-climatic, so is Nezumi’s wish.
The main takeaway from this episode: Kate makes a horrible friend no matter what the situation.
Love, well puppy love, is in the air and it brings about a few tender moments. Yet, it is too soon to expect a happy ending.
Epigenetics is the word of the day as Tutu, Bridgette, and maybe even Larry, have a bit of a bad day.
Good Behavior’s second season ends in a rather disappointing fashion. Especially considering the final decision made after all that happened in episode 9.
You know one of the main things which makes live adaptations of anime hard-hitting? When you are forced to realize a person is going through the trauma than some animated character. Which is what makes the introduction of Kayo hit hard.
Black comes off a little all over the place at first, like a director’s cut of the pilot, but by the end of the premiere, it seems we’re on track.
The Marvelous Mrs. Maisel does stumble a bit in its first season, but ultimately its charm sees it through.
For those who saw the animated version, I can’t say the first episode makes you want to dive back into the story again.
The overall goal of Wherever I Look is to fill in that space between the average fan and critic and advise you on what’s worth experiencing.