Fancy Dance (2023) – Review/ Summary (with Spoilers)
“Fancy Dance” may have a name that makes you think you’ll watch something lighthearted, but as it dives into indigenous people’s continued injustice, you only get that in doses.
In the Young Adult tag, you’ll find coming-of-age stories and productions featuring those in their late teens through twenties getting their lives together.
“Fancy Dance” may have a name that makes you think you’ll watch something lighthearted, but as it dives into indigenous people’s continued injustice, you only get that in doses.
“Sometimes I Think About Dying” is a dry and awkward romance that sometimes has moments of sweetness but is often tiresome to watch.
“Mutt” is part of the new wave of LGBTIA+ media which moves beyond the coming out and trauma often associated with that, and explores that period of adjustment once the dust settles.
What starts as a cute love story set in the financial world becomes the type of film that will infuriate you and make you yell at the protagonist about what they need to do to win you back.
“Young. Wild. Free” is more than a cute but very chaotic love story. It also allows Sierra Capri to be the rare depiction of the chaotic, life-altering female lead thus far, almost exclusively played by White women.
In the toned-down “Alice, Darling,” the depiction of emotional abuse is on display and given a touch that surprisingly isn’t leaning towards Oscar bait.
“Door Mouse” has cult classic workings that will make it a favorite amongst a niche group, but it may struggle to make a blip in a sea of video-on-demand releases.
While I don’t think anyone was asking for a “House Party” remake, you’ll be glad we got one.
Two friends from high school reunite at a party, and there is the question of whether a crush might become something more.
The innuendo-filled “Christmas with The Campbells” is not a family Christmas movie but could be good for the adults to watch or listen to while getting things ready or cleaning up.
“Darby and The Dead,” being yet another teen movie focused on the outcast who, with a makeover, becomes popular, sidesteps what could have made it interesting.
While the early part of “Rolling Into Christmas” is high quality, as relationship drama comes into play, things go downhill fast.
While Jenna Ortega makes a superb Wednesday, unfortunately, they put her in a world reminiscent of the “Chilling Adventures of Sabrina” with boy drama and a mediocre mystery.
“Blood Sex and Royalty” pursues edutainment with CW-type casting and performances mixed with actual historians to note the historical context.
“The Sound of Christmas” gives you everything you could want from a holiday movie. There is singing, promotion of the Christian faith, and all kinds of drama.
Like many BET productions, you would be remiss to underestimate “Christmas Party Crashers” based on its name and what’s sold in the poster.
“Bones and All” can be seen as a sometimes brutal horror love story, but it may not go as far as expected.
In a new sci-fi production from the producers of “Westworld,” past and present seem to collide all thanks to the next generation of virtual reality technology.
While there are times when the drama of Tess’ life makes this tedious to watch, by the end of “Dear Zoe,” you’ll nonetheless find yourself potentially in tears.
“Tell Me Lies” may appear to be another young adult drama, but as it explores the interpersonal relationships between the core friend group and some of their families, it breaks away from its peers.
With being story-driven more than character-driven, “House of the Dragon” may seem like it has learned from its predecessor, but in reality, it is simply taking a different approach.
“Industry” returns and doesn’t experience a sophomore slump despite a bit of a time jump and the inclusion of new characters who are a bit underutilized.
While you have to appreciate “Prey For The Devil” reminding you the history of exorcisms is rooted in the ignorance of psychology and medicine, that doesn’t make its desire to become a franchise any more appealing.
Dispel your skepticism as “Wednesday” is not only well cast but includes the supernatural in such a way you’ll question why isn’t it a horror release.
In this moving, biographical first feature from writer/director Elegance Bratton not only gives a stirring film but pulls from Jeremy Pope and Gabrielle Union the best performances of their careers.
Love blossoms, and apparently in a literal sense for Lily, as a new classmate catches her eye.
Being caught is always the worst nightmare but can it be different when you’re a girl and the person is of the same sex?
While the church is one way to meet people, what about meeting other men when you’re not sure of yourself?
“All I Ever Wanted” reminds you that sometimes, what you desire, has always been there.
“Lucky Fish” gives you the kind of cute moment between two people that can bring on happy tears.
“The Birth Of A Beautiful Butch” shows you why being your authentic self is the key to internal and external confidence
“Stars At Noon” leans on Margaret Qualley as a crutch, to the point of you imagining it bending and damn near breaking by the end of the film.
The slow burn that “Stay The Night” delivers a different kind of “Meet-Cute” story that makes every awkward and frustrating moment worth it.
“The Midnight Club” is a sluggish watch with predictable jump scares and while it could get better, it makes a paltry effort to convince you to stay.
“Entergalatic” reminds you that adult animation not only has the potential to thrive but also explore beyond graphic violence or sexual content.
“Hocus Pocus 2” might be one of the few sequels you likely didn’t ask for that is far better than expected.
While “Mike” is an unauthorized bio-series of one of the greatest known boxers, it sets such a precedent that it’ll be hard to imagine an authorized version topping it.
“My Best Friend’s Exorcism” is a run-of-the-mill horror film that lacks scares but does attempt to have a sweet friendship at its center.
It’s the start of horror movie season, and “Smile” is a good way to start your annual fix.
The overall goal of Wherever I Look is to fill in that space between the average fan and critic and advise you on what’s worth experiencing.