Night Teeth (2021) – Review/ Summary (with Spoilers)
Night Teeth might have a thin plot, but it makes up for that by having entertaining action and through the performance of Debby Ryan and Lucy Fry.
Night Teeth might have a thin plot, but it makes up for that by having entertaining action and through the performance of Debby Ryan and Lucy Fry.
In this pop epic, don’t expect much in the way of acting – it’s all about the visuals and music.
Really Love may have one story element we’re all far too used to but beyond that? It’s a swoon-worthy romance film.
How I Became A Superhero reminds you that superpowers have long lost their luster as a hook, and you need good characters and a story.
Awake could put you to sleep if it wasn’t for the much-needed screams and sounds of bullets being fired.
Despite seeming like a generic party film/ girls trip, there is more to Carnaval than meets the eye.
All Through the House presents the idea Santa’s Little Helpers may not be cuddly and friendly reindeer, and naughty kids may not just deal with coal.
You may feel like you’re getting flashbacks from In The Tall Grass, while watching The Tall Grass, but it’s not the same and gets out before it can get bad.
So, what video game were these cut scenes from, when is it out, and for what platforms?
Imagine living in a world where you could live forever if you forego having children. Is this a tradeoff you could accept? Especially knowing the price to pay if you had kids?
Two brothers, separated by one having modifications and the other not, have a night out where they bond and could potentially lose their lives.
While buying robots makes almost all of your daily chores easier, can you imagine if the company behind them installed some special features to kill you?
In this 30-minute horror story, a young man is caught in the loop of a cop killing him in a multitude of ways.
In Tina, we get one last goodbye from the legend who, with books, movies, and a musical about her life, wishes to move on from the past and enjoy the present and future.
Alaska Is A Drag reminds you how much hope one can have when you have someone in your corner and find people who not just accept but love you.
Ariana Grande’s Excuse Me, I Love You may not be a classic concert film, but for those who miss seeing live performances, it’ll give you what you need.
If you like holiday movies which get your emotional, feature a “What If?” and are a little queer, you will love A New York Christmas Wedding.
For those who like unconventional holiday movies, in this case, with cursing and a dysfunctional family, “Holidate” was made for you.
Exes Baggage presents your usual will they or won’t they drama as you become so invested in the leads’ relationship you feel as if they must end up together.
Despite how creepy and seemingly perfect for the season “Cadaver” appears, it fails to live up to what you likely imagined.
The Paramedic is a stern reminder of why closure isn’t needed, no matter what your ex says. Take what you can, and DON’T LOOK BACK!
The Babysitter: Killer Queen may not have the same pizazz when it comes to kill scenes, but the inclusion of Jenna Ortega does take things up a notch.
#Alive, with its small speaking cast, but high stakes, makes for an awesome, albeit simple, zombie movie.
Freaks – You’re One of Us lays the groundwork for a potential superhero franchise, just on a smaller scale than what we often see.
Is “An Easy Girl” yet another coming of age film that is formulaic and lacks a standout feature? Read on to find out.
“Almost Love” is good enough to get you invested into the characters, but not to the point of pushing everyone you know to see it.
In this over two hour epic, you watch a young man play the long game in ways that will stun you and leave you thinking, “It can’t end like this?”
“Only” is a sci-fi drama, with a small cast, that is less about entertaining its audience and more about trying to use the sci-fi element for a bait and switch.
“Under the Riccione Sun” will remind you what many may miss thanks to COVID-19, but it gives you the chance to live vicariously.
While no film, no matter how many voices, can fully encompass what it means to be part of any community, “Disclosure” makes for an excellent entry point into trans history in media.
“365 Days” tries to make Stockholm syndrome sexy and ends up just making a big-budget soft-core porn.
If you like your horror slow churning, not reliant on gore, but still may not be the best to watch at night, “Our House” could do the trick.
How much you may enjoy this movie all depends on whether you like outrageous characters who don’t limit themselves for the comfort of others.
“18 Presents” or “18 Regali” is an ode to those who lost their mothers and need an excuse to cry.
“Into The Dark: Delivered” is frustrating as hell to watch, but can be a good time if you know someone who provides funny movie commentary.
Thanks to savvy lawyers, justice has become ambiguous compared to how it used to be. However, someone decides enough is enough, and some people should die.
“Code 8” gives a pleasant alternative to what the Marvel/DC brand has saturated the market with when it comes to superpowered humans.
Operating on a level of cringe that will make it either hilarious or off=putting, “Love Wedding Repeat” surely isn’t for everyone.
“The Ghost Who Walks” is a potential tear-jerker which, if it doesn’t make you cry, at least provides you with a thrill ride.
The overall goal of Wherever I Look is to fill in that space between the average fan and critic and advise you on what’s worth experiencing.
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