Don’t You Let Me Go (2024) – Written Review
After her best friend’s wake, a woman travels back to a weekend they shared to relive experiencing her friend one last time.
After her best friend’s wake, a woman travels back to a weekend they shared to relive experiencing her friend one last time.
The final entry in the “Through My Window” franchise, “Through My Window – Looking At You,” might be the best one yet, partly thanks to the 2nd movie removing a certain character.
“Society of the Snow” is a harrowing and horrific depiction of survival.
In this relatively short drama, two people, trying to immigrate to the United States, find themselves getting interrogated at Newark Airport.
“I Don’t Expect Anyone To Believe Me” is a bit of a sluggish film that tries to compensate by giving you violence and sexual situations, but its leads may not be enough to keep you watching for two hours.
Christopher Zalla and Eugenio Derbez’s “Radical” is based on a true story, but it’s a story audiences have seen plenty of times.
Juan Sebastian Torales’ “Almamula” demonstrates that for gay youth, religion can be far scarier than the demons it preaches about.
“The Elderly” takes forever to get to the point, which may or may not be a play on who and what it focuses on.
Netflix’s Spanish-language survival movie “Nowhere” is a great showcase for Anna Castillo, but a familiar story that doesn’t live up to its dystopian premise.
Netflix’s “Burning Body” tells the spicy story of Rosa Peral, but fizzles out halfway through.
A cast and character guide to Netflix’s “Burning Body.”
This is a character guide for Netflix’s “The Chosen One” with character descriptions, quotes, names of actors, and more.
“A Perfect Story” is a Spanish romantic comedy with charming leads in Álvaro Mel and Anna Castillo that remind you of all the fun and messiness of falling in love.
Jim Cavaziel auditions to be Liam Neeson’s successor as he takes on becoming the savior for children kidnapped and put into the sex trafficking industry.
“Fairytales” is an exception to what you usually get when you see a young person in that it isn’t a coming-of-age tale or a sterile children’s story, but what it is like to be a kid.
While tediously as long as its predecessor, “Through My Window: Across The Sea” still works well as “365 Days” young adult counterpart.
“Under Her Control,” aka “Le jefa,” is a rather dry film for most of the duration until it finally gets interesting in the latter half of the film.
“Don’t Blame Karma” is comical at times, but the romance it wishes to explore and the drama which creates the comedy and complicates the romance is disappointing.
In this story of teenage brotherhood, five boys band together as they struggle with cancer, an ill parent, and smaller stuff like crushes and failing grades.
The path to redemption has always been without explicit details, and for Humberto, he seems to feel his daughter’s life depends on him regaining his footing.
While Through My Window has your usual toxic, brooding, and handsome male lead, there is just enough given to the viewer to get past the trope.
The Cow Who Sang A Song Into The Future boils down to toxic family relationships that need to be acknowledged, addressed, and corrected, or else that toxicity will kill more than just family members.
The overall goal of Wherever I Look is to fill in that space between the average fan and critic and advise you on what’s worth experiencing.
Pages