Pieces of a Woman – Review/Summary (with Spoilers)
Pieces of a Woman is the type of cinema that may benefit from a streaming release as moments come when you need to pause and walk away for a moment.
The human experience, sometimes at its most raw, is what you’ll find in the drama tag.
Pieces of a Woman is the type of cinema that may benefit from a streaming release as moments come when you need to pause and walk away for a moment.
Like Kemp Powers’ “Soul,” “One Night In Miami” leaves you searching for meaning in past actions and contemplating your path in life going forward.
Alaska Is A Drag reminds you how much hope one can have when you have someone in your corner and find people who not just accept but love you.
The Last Shift taps into a quieter story, minus any grandstanding, to allow two characters to be challenged by one another and learn something despite their differences.
Shondaland takes its second crack at doing a period piece by focusing on a drama with a Gossip Girl spin and a social season in which many young ladies vie for the best bachelors.
UMC’s newest show For The Love of Jason has everything it needs, except enough episodes to not feel a bit rushed.
Based on the 1883 Italian The Adventures of Pinocchio, this version of Pinocchio is dark, maybe not the best for kids, but so weird that it’s good.
Like most Pixar films, Soul bridges what is expected from animated films aimed at children and the type of stories that can bring adults to tears.
I Remember asks you to forgive it’s lead tells, as he gets the chance to live out his dream of dating the girl who always seemed out of his league.
While Industry does not have every character live up to its potential, Myha’la Herrold and Ken Leung damn near save the show.
Promising Young Woman challenges the revenge narrative you are used to and pushes you to expect more from future stories in the sub-genre.
As with most of OWN’s “OWN For The Holidays,” First Christmas pushes new narratives beyond the Christmas formula, which might be the best one yet.
Ma Rainey’s Black Bottom gives you what you expect from Viola Davis, and in Chadwick Boseman’s final film, he makes it clear he could excel in a role of someone not already an icon.
Despite how predictable Fatale may seem, based on its trailer, believe me when I say it just uses the familiar to make you think you know what’s going to happen.
While the longing looks and stolen moments will entice you, it’s hard to move past how Sylvie’s Love begins soiled.
While The Christmas Lottery has many familiar storylines, between a prominently featured lesbian couple and avoiding being as corny as most holiday movies, this is one to see.
Within its 9 minute duration, Canvas brings you a touching story that makes you hope this is just a proof of concept for something more.
“All My Life” avoids any opportunity to develop its characters as it focuses on crafting an enviable romance.
While the performances and story are strong in Princess of the Row, there is just something about it that tarnishes the viewing experience.
Life In A Year will make you laugh, make you cry, and will make you reconsider previous opinions on Cara Delevingne and Jaden Smith.
While there might be times Happiest Season may make you roll your eyes, its heart and certain characters keep you watching until the end.
Fully prep to be in tears while watching the 12 minute short If Anything Happens I Love You.
Sound of Metal has the performances needed to make it a stirring, likely Oscar-caliber movie, but after a certain point, it overstays its welcome.
Uncle Frank, thanks to Paul Bettany and Sophia Lillis, leaves a bit of a heavyweight on your shoulder that can only be relieved with tears.
If you like holiday movies which get your emotional, feature a “What If?” and are a little queer, you will love A New York Christmas Wedding.
If you came to this film hoping for a Black version of Alice In Wonderland and Peter Pan, prep to be disappointed.
Industry’s manic energy is enticing as a viewer at first but grows tiresome as you wait for that one character to truly hook you in and make the hour committed worth it.
True To The Game feels like your standard fare gangster movie, with the only exception being who lives and dies.
“The Craft: Legacy” pushes you to feel it didn’t need its predecessor for anything besides name recognition.
“Come Play” takes an interesting approach to the monster genre by giving it an emotional edge and autistic lead.
Despite its subject matter, there is something surprisingly tame about “Gossamer Folds,” which shows how tolerance and acceptance develops over hate.
Despite a few painfully awkward moments, “Ellie and Abbie (And Ellie’s Dead Aunt” does ultimately give you what you need from it.
Despite chess’ lack of pizzazz, compared to athletic activities, “The Queen’s Gambit,” through one chess player, uses both the game and a dash of sensationalism to grab hold of you.
Exes Baggage presents your usual will they or won’t they drama as you become so invested in the leads’ relationship you feel as if they must end up together.
In what may feel like a prequel to “Shiva Baby,” Rachel Sennott is joined by Madeline Grey DeFreece for another awkward funeral situation.
“Dating Amber,” set in 1995, reminds you how much has changed in 25 years as we follow two Irish teens dealing with being ostracized for their sexuality.
A horror movie that is nearly 2 and a half hours – is it worth your time or should you avoid it?
Despite how creepy and seemingly perfect for the season “Cadaver” appears, it fails to live up to what you likely imagined.
Dancing on the tightrope between cringe and funny, “Shiva Baby” presents Rachel Sennott as someone on the cusp of mainstream fame.
The overall goal of Wherever I Look is to fill in that space between the average fan and critic and advise you on what’s worth experiencing.
Pages