Fatale – Review/Summary (with Spoilers)
Despite how predictable Fatale may seem, based on its trailer, believe me when I say it just uses the familiar to make you think you know what’s going to happen.
The human experience, sometimes at its most raw, is what you’ll find in the drama tag.
Despite how predictable Fatale may seem, based on its trailer, believe me when I say it just uses the familiar to make you think you know what’s going to happen.
While the longing looks and stolen moments will entice you, it’s hard to move past how Sylvie’s Love begins soiled.
While The Christmas Lottery has many familiar storylines, between a prominently featured lesbian couple and avoiding being as corny as most holiday movies, this is one to see.
Within its 9 minute duration, Canvas brings you a touching story that makes you hope this is just a proof of concept for something more.
“All My Life” avoids any opportunity to develop its characters as it focuses on crafting an enviable romance.
While the performances and story are strong in Princess of the Row, there is just something about it that tarnishes the viewing experience.
Life In A Year will make you laugh, make you cry, and will make you reconsider previous opinions on Cara Delevingne and Jaden Smith.
While there might be times Happiest Season may make you roll your eyes, its heart and certain characters keep you watching until the end.
Fully prep to be in tears while watching the 12 minute short If Anything Happens I Love You.
Sound of Metal has the performances needed to make it a stirring, likely Oscar-caliber movie, but after a certain point, it overstays its welcome.
Uncle Frank, thanks to Paul Bettany and Sophia Lillis, leaves a bit of a heavyweight on your shoulder that can only be relieved with tears.
If you like holiday movies which get your emotional, feature a “What If?” and are a little queer, you will love A New York Christmas Wedding.
If you came to this film hoping for a Black version of Alice In Wonderland and Peter Pan, prep to be disappointed.
Industry’s manic energy is enticing as a viewer at first but grows tiresome as you wait for that one character to truly hook you in and make the hour committed worth it.
True To The Game feels like your standard fare gangster movie, with the only exception being who lives and dies.
“The Craft: Legacy” pushes you to feel it didn’t need its predecessor for anything besides name recognition.
“Come Play” takes an interesting approach to the monster genre by giving it an emotional edge and autistic lead.
Despite its subject matter, there is something surprisingly tame about “Gossamer Folds,” which shows how tolerance and acceptance develops over hate.
Despite a few painfully awkward moments, “Ellie and Abbie (And Ellie’s Dead Aunt” does ultimately give you what you need from it.
Despite chess’ lack of pizzazz, compared to athletic activities, “The Queen’s Gambit,” through one chess player, uses both the game and a dash of sensationalism to grab hold of you.
Exes Baggage presents your usual will they or won’t they drama as you become so invested in the leads’ relationship you feel as if they must end up together.
In what may feel like a prequel to “Shiva Baby,” Rachel Sennott is joined by Madeline Grey DeFreece for another awkward funeral situation.
“Dating Amber,” set in 1995, reminds you how much has changed in 25 years as we follow two Irish teens dealing with being ostracized for their sexuality.
A horror movie that is nearly 2 and a half hours – is it worth your time or should you avoid it?
Despite how creepy and seemingly perfect for the season “Cadaver” appears, it fails to live up to what you likely imagined.
Dancing on the tightrope between cringe and funny, “Shiva Baby” presents Rachel Sennott as someone on the cusp of mainstream fame.
In this quiet drama, a young girl, on the brink of puberty, wonders what the end result might be.
“Grand Army” with its socially mixed teens, all going through something, could be Netflix’s next big teen/ young adult series.
“2 Hearts,” at times, may feel like a TV movie that somehow made it to the big screen, but that doesn’t mean it won’t get you in your feelings.
Like the dying process, “Ms. White Light” has its good moments and bad moments, but ultimately ends with a whisper.
“Charm City Kings,” like so many urban dramas, shows the many rare paths it could take but ends up on the well-trodden road.
“Wheels,” as it pushes you into feeling nostalgic for a story that isn’t your own, creates a pleasing lull as you watch a young man fall in love and pursue being a DJ.
With a basic foundation rooted in rogue AI and familiarity, while “neXt” doesn’t make a splashy introduction, it shows potential.
The anthology series, “Soulmates,” begins with the question: If science could possibly provide you with a soul mate, would you take the test and take the leap of faith?
“Spontaneous” is one of the rare films that aims to make you laugh, feel, and connect that, for the most part, succeeds in everything it set out to do.
“Cut Throat City” has noted performances from T.I. and Terrance Howard but, as for the rest of the movie…
While “The Never List” deserves props for not making sex the key to its lead coming of age, it barely presents anything beyond wasted potential.
“A Long Time Coming” explores the complexities of Asian Americans and an older generation’s perspective on the Black Lives Matter protests.
The Paramedic is a stern reminder of why closure isn’t needed, no matter what your ex says. Take what you can, and DON’T LOOK BACK!
The overall goal of Wherever I Look is to fill in that space between the average fan and critic and advise you on what’s worth experiencing.
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