Christopher Robin – Recap/ Review (with Spoilers)
The combination of modern technology with classic characters makes Christopher Robin feel like a true Disney classic vs. exploiting nostalgia.
The combination of modern technology with classic characters makes Christopher Robin feel like a true Disney classic vs. exploiting nostalgia.
Teen Titans Go! To the Movies is a comical, and surprisingly musical, movie the finds its value by making fun of other superhero movies.
Blindspotting helps illustrate the trauma many Black people have with cops, the double standard that exists between Black and white men, all while throwing in some Hamilton styled raps.
Elder Millennial has the vibe of a YouTube video. It isn’t hilarious but the way things are talked about are comical and insightful enough to make you want to subscribe for more.
Sorry To Bother You will probably be the most bizarre film you watch that doesn’t make you want to leave the theater or turn off your screen.
Samantha! doesn’t necessarily begin with a bang but you can definitely see potential for this odd Brazilian comedy.
Uncle Drew, despite its comedic leads and sports stars, doesn’t deliver strong laughs or even play up what seemingly was supposed to be a touching story.
After dealing with being considered a terrorist, having the full weight of the government pin her down, and more, Kathy Griffin returns as if she never left and delivers a routine worthy of a stand-up special.
Love Is won’t just renew your faith in the possibility of finding blissful love, but also your faith in what television can offer.
The Swap may not have “Classic” appeal but it does surprisingly make for an entertaining movie – even if you grew up on 90s/00s Disney.
Leah on the Offbeat fills in a lot of the gaps and questions about Simon’s best friend Leah, as well as bring readers some bi-sexual representation.
You know how in school, or at work, someone said “That person needs to get laid” as if that would fix everything? That’s the premise behind Set It Up.
Alex Strangelove is a frustrating movie for while you want to support the message and journey, then you think about the collateral damage.
Oceans’s 8, while enjoyable, pushes the idea that Hollywood still doesn’t trust women’s box office abilities, no matter the talent involved, so they’d rather gender bend long-dormant properties.
Brilliantly weird, comical and touching, somehow How to Talk to Girls at Parties taps into something absurd without getting lost in its own madness.
Deadpool 2 reminds you of what the comic book world was like before creating cinematic universes killed the fun and excitement.
Book Club, thanks to the veteran actresses who take lead, is touching, comical, and something you have to question: why is it so rare?
On one hand, The Kissing Booth can be seen as a conversation on a young woman’s autonomy. On the other, it is a simple, sweet, and kind of cheesy romantic comedy.
Tully is an ode to mothers who found a way to survive child rearing one way or another, even if it was by allowing themselves to go a little crazy.
It has been roughly a year since the events of the first book and now Leah is in the spotlight. Which may not be awkward for you but it is kind of awkward for her.
I Am Not An Easy Man takes the less worn route of the idea of the primary genders swapping to quite pleasing results.
Thanks to the chemistry of its leads and message about the pressure kids are under to get into college, Candy Jar sidesteps being just another quantity over quality Netflix film.
As Adam Sandler seemingly tries to combine his style of comedy with his more appreciated dramatic works, we get the very rough The Week Of.
29 to Life may feature one of the most unbelievable romances (not in a good way), but the charm of its female lead might just be strong enough for you to stick around.
The Miseducation of Cameron Post excels as a comedy but, at best, is average in terms of its coming of age drama element.
Dude should have been a series – point blank. For between the writing and casting, this just being an hour and a half will make you feel cheated.
Depending on whether you stick to what is presented on the surface, or go deeper, that will ultimately decide whether you allow yourself to enjoy The Misandrist.
This odd coming of age comedy may be a bit weak in terms of story, but it still makes for a pleasant experience.
While funny at times, there is something about Blockers which makes you feel you’ve seen other movies do its joke and story better.
I Feel Pretty is the follow-up to Trainwreck people were waiting for out of Amy Schumer.
Over the course of a weekend, two people, both dealing with issues that ruined past relationships, go through every stage of love in a brilliantly weird and comical way.
While Summer: The Donna Summer Musical has a bit of an odd timeline for its narrative, it reminds you that the queen of disco’s reign has yet to end.
Game Night isn’t the funniest comedy you’ve ever seen, but probably has one of the best storylines in recent memory.
Between having a sense of culture unlike the rest of the MCU, one of the best villains, female characters who are far beyond being simply love interests and so much more, Black Panther puts the rest of the universe on notice.
Chris Rock, thankfully, brings a comedy special light on Trump and while it delves into his personal philosophies, he doesn’t turn his standup into a college lecture.
With Where’s The Money? I think it is time to evaluate whether many a Black urban comedy can qualify as being “camp” in style.
Whitney Cummings proves that it isn’t just male comedians who find a second life and flourish by taking on a dramatic role.
Little Bitches has this quality to it which makes it seem like a failed MTV pilot was made into a movie covering what the first season would cover. Minus some essential details.
Paperback will have you questioning your beliefs on marriage and relationships as you laugh at and with its lead character.
The overall goal of Wherever I Look is to fill in that space between the average fan and critic and advise you on what’s worth experiencing.