The Wild Robot: Review (with Spoilers)
Featuring the voices of Lupita Nyong’o, Kit Connor, and Pedro Pascal, “The Wild Robot” delivers dark humor and tear-inducing moments, making this one of the best American-made animated movies of the year.
Featuring the voices of Lupita Nyong’o, Kit Connor, and Pedro Pascal, “The Wild Robot” delivers dark humor and tear-inducing moments, making this one of the best American-made animated movies of the year.
Sadie and Lydia come visit, and with that you see the possible reasons why Stephen and Lydia ended up together.
Lila is no longer a ghost that haunts Elena but returns in the flesh when she needs her most – albeit for some alone time with Nino.
In some ways, “Bel-Air” takes a step back in season 3 and makes it so season 4 will either launch it forward or confirm signs that the best times might be behind us.
On Pierpoint’s 150th anniversary, it is hard to say whether it is a celebration or a wake as sharks circle the leaky ship and some try to secure life rafts before everything goes under.
While “Suicide Squad: Isekai” may give a new look and storyline for Batman’s rogue gallery, it lacks needed substance.
As Adrian reveals notable information, Lewis’ secret becomes harder to keep, and we learn that Corey may have his own secret.
As Bree begins to get more from Oliver than sex, and Evan moves on, Lucy is forced to address her trauma and Diana the possibility that Lucy isn’t as crazy as Stephen has pushed.
As Yancy goes from one obstacle to getting justice to the next, Gracie comes to a crossroad as an offer from Eve tempts her.
Last Riser appears again, leaving you to question if “Why Does Nobody Remember Me In This World” wants to be remembered once this season ends.
It’s an emotional episode for Komari, and it is Nukumizu’s fault she ends up crying.
“Never Let Go” may star Halle Berry, but after a certain point, it is all about showcasing her young co-stars and furthering their careers.
Dave Bautista takes advantage of his known action hero persona to push the idea he could also be the lead in romance movies in the future.
“The Substance” pushes the need to question whether its potential message is lost in the pursuit of gore and its desire to show and critique the exploitation of a women.
In a episode focused on Elena’s mounting misery, it will make you long for Lila as you may have in previous seasons.
Harper and Yasmin retake the focus of “Industry” in a bombastic episode.
Natasha Rothwell, known for Kelli in “Insecure” and Belinda in “The White Lotus” stars in a show that may have a depressing foundation, but you can see all the opportunities to find ways to laugh to keep from crying.
Despite Shanelle’s trial finally beginning, only one moment of it is worth taking note of as Lewis’ deals with what was revealed in the last episode.
While James McAvoy tapping into his crazy brings on some level of entertainment, as a whole, “Speak No Evil” plays it safe for a film despite its violence.
Grace, effort, and accountability come into question with each relationship, during or post-college, as everyone continues to struggle with who they spend time with.
As it becomes time for Rogelio to return the support Yancy has given him all these years, Neville finds himself getting shot.
Focus continues to be on Komari as the fall festival is days away and she works herself to the point of collapsing.
“My Brilliant Friend” returns for its final season, and despite a time jump, new faces, and how long it has been since the last season, it’s easy to slip right back in.
In a rather dry episode, “Why Does Nobody Remember Me In This World?” sidesteps focusing on the war between non-human entities, to maintain focus on characters who have long lost their luster.
Aaron Pierre and AnnaSophia Robb star in a too long for its own good revenge tale that lacks what it needs to justify a 2+ hour runtime.
As weeks pass and Shanelle’s trial draws closer, trying to find ways to make sure she doesn’t stay in jail increasingly become tricky.
The focus of “Industry” slightly shifts to Robert, as the fallout of Lumi crashing and burning continues to rock PierPoint.
In the third season finale, at best, you can say season three is a transition season for what could happen in season 4. At worst? This could be a sign the show has peaked.
As the aftermath of the last episode reverberates, things for the finale are set up, and they aren’t that exciting.
Bree and Evan have a fateful conversation as Lucy and Diana find themselves strangely on the same page about something.
“Tell Me Lies” returns and presents us with more potentially messy situations as we’re reminded why so many people should just be single.
With Nick being willing to kill Yancy, and Yancy now accused of murder, is Rosa enough for him to not only solve the case, but live to see it go to trial?
“The Front Room” starring Brandy is the kind of film that needs to be seen with an audience that will make commentary throughout in order to have the best experience.
“Beetlejuice Beetlejuice” may avoid feeling like a cash grab, but there is no denying it doesn’t present anything notable to justify being made.
Lucy Hale and Keir Gilchrist may deliver familiar characters from their repertoire, but amongst the odd story and comedy of “Running On Empty,” they make it work.
“The Deliverance” mixes the family drama Lee Daniels has become known for with a supernatural horror element that, with Glenn Close’s performance, is a notable watch.
It’s a Rishi-focused episode in which we watch his life fall apart and see him hoping for a Boxing Day miracle.
As Corey’s intentions behind defending Shanelle are revealed, we get a bit more about Lucy and understand what Shanelle was thinking.
Jax is tested regarding her abilities to let go as she has to allow Corey to run her case, and take some accountability in her marriage, and let go of what Lewis did or didn’t do.
The overall goal of Wherever I Look is to fill in that space between the average fan and critic and advise you on what’s worth experiencing.
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