Re:Creators: Season 1/ Episode 11 “We cannot decide where we go but you can” – Recap/ Review (with Spoilers)
After dancing around, if not outright avoiding the topic, Sota finally goes into his part in Shimazaki’s death.
In this sub-category, you’ll find TV series that are generally Japanese anime, but also animation from across the world.
After dancing around, if not outright avoiding the topic, Sota finally goes into his part in Shimazaki’s death.
The gods have had enough, and they believe El can turn the tide. So with Charoice refusing to bend the knee, so comes a declaration of war.
As we learn more about the beasts which wiped out humanity, the show tries to establish what everyone has to lose. Especially Willem.
As Sana tries to teach Hatori a lesson, Hatori makes Sana’s magic cancel out. Which leads to consequences which affect them in wonderland but especially the real world.
While Altair makes an appearance and there is a lot of action, something seems off. For even with another character’s life threatened, I find myself back to the complacency state of episode 4.
Episode 10 “The Way She Was” illustrates the fall of Jeanne D’Arc. It takes us from her being this otherworldly knight to someone bested by demons and sniveling subordinates.
SukaSuka (WorldEnd) has its first real emotional moment. However, it comes from neither Willem nor Chtholly.
Alice to Zouroku finally tries to balance its pursuit of being a slice of life anime by establishing a new villain. Just not like the kind we saw earlier in the season.
Magane [note]I know I’m inconsistent when it comes to her name[/note] takes on Meteora’s role of being the talkative one. But, at the very least, she knows how to remain interesting as she goes on and on.
Nina’s connection with Favaro and Jeanne D’Arc, is the focus in “Same Old, Same Old.” For Favaro, it is her history with him and with Jeanne, her potential future.
The overall goal of Wherever I Look is to fill in that space between the average fan and critic and advise you on what’s worth experiencing.