I’m a Virgo (2023) – Season 1: Review and Summary (with Spoilers)
“I’m a Virgo” is Boots Riley’s satire of superheroes while confronting capitalism in a 13-foot-tall character. It’s bonkers in the best way.
I’m a filmmaker and writer that can cook a mean plate of pasta and always meet a deadline. When I write, I most likely have a cat on my lap. If I’m not watching movies, I’m writing about movies. If I’m not writing about movies, I’m making them. If you want to see more of my work or have something you think I should see, just reach out!
“I’m a Virgo” is Boots Riley’s satire of superheroes while confronting capitalism in a 13-foot-tall character. It’s bonkers in the best way.
A character guide for Boots Riley’s “I’m a Virgo” with character descriptions, quotes, names of actors, and more.
From Psycho’s Norman Bates to Marvel’s Thanos, villains can be sympathetic, horrific, funny, or characters the audience loves to hate. Here are 10 villains that deserve their own movie.
“Sheroes” is the generic yet less entertaining version of Spring Breakers, with more guns and less sense. If I could walk out of this movie, I would.
“Cinnamon” packs multiple genres and cinematic flourishes within its 90 minutes that will leave your mouth agape, shaking your head, sometimes laughing, but never looking away.
“The Mecca of Comedy” is an intriguing look into the DC comedy scene, but it could use another edit and more comedy.
“Boca Chica” is a gorgeous, painful, yet sobering look at the lies families tell themselves in order to survive.
“Blood for Dust” is a moody film that examines upwards mobility in America, yet the movie struggles to give you a reason to care for its protagonist.
“Surrounded” is a terrific and brutal showcase for Letitia Wright and Jamie Bell with gorgeous scenery in this Western.
“Let the Canary Sing” is an intimate portrayal of struggle and joy for Cyndi Lauper’s voice and activism.
David Gelb and Disney’s “Stan Lee” is a sweet yet flawed and watered-down documentary about the Marvel creator’s life that becomes more interested in the superheroes rather than Lee himself.
Mary Herron and John C. Walsh’s “Dalíland” portrays the life of one of art’s most celebrated and inspiring figures with a tame and uninspiring story.
“The Secret Kingdom” is a fantasy story for the family with unique visuals and character designs. Yet you’ll feel like you’ve seen this story before.
Georgia Oakley’s “Blue Jean” is an honest, complex, and relevant portrait of how anti-LGBT laws impact the individual.
D.W. Medoff’s “Pollen” is a horror film that doesn’t frighten you with scares, but chills you with its authentic portrait of trauma.
Tina Satter’s direction and Sidney Sweeney’s performance create a terrifying yet true nightmare in “Reality.”
“Spider-Man: Across the Spider-Verse” is a thrilling and gorgeous tribute to animation and superheroes, yet it spins more webs than it can handle.
Arnold Schwarzenegger in “Fubar” is a callback to his action movies, but you’ll have a better time rewatching those action movies than watch this.
Some of the most memorable moments from your favorite comedies aren’t from the lead actor, but the supporting star!
Sebastian Maniscalco’s “About My Father” showcases a sweet relationship between De Niro and Maniscalco, but it’s coated in forgettable comedy and a story we’ve seen too many times.
The overall goal of Wherever I Look is to fill in that space between the average fan and critic and advise you on what’s worth experiencing.