The Last Exit (2023) – Review
Matthias Hoene and Neil Linpow’s “The Last Exit” is a good rainy day movie with plenty of twists and thrills.
I’m a filmmaker and writer that can cook a mean plate of pasta and always meet a deadline. When I write, I most likely have a cat on my lap. If I’m not watching movies, I’m writing about movies. If I’m not writing about movies, I’m making them. If you want to see more of my work or have something you think I should see, just reach out!
Matthias Hoene and Neil Linpow’s “The Last Exit” is a good rainy day movie with plenty of twists and thrills.
Michael Farris Smith and the Phillips Brothers’ “Rumble Through the Dark” makes some bold choices in storytelling, but they don’t quite pay off.
Netflix’s “The Killer” showcases David Fincher at his most wry and ruthless. Fedoras and Hawaiian shirts have never been so menacing.
“Helen’s Dead” is a murder mystery, but the real mystery is why anyone would want to be in this movie.
Christopher Zalla and Eugenio Derbez’s “Radical” is based on a true story, but it’s a story audiences have seen plenty of times.
Hulu’s “Quiz Lady” squanders the comedy talents of Sandra Oh and Awkwafina to deliver a movie meant to play in the background.
Netflix and Melanie Laurent’s “Wingwomen” is a fun but forgettable action-comedy that is light in drama and plot.
Prime Video’s “Everybody Loves Diamonds” should be a slick ride, but a heist story told in 8 episodes makes the ride stop-and-start.
A character guide for Prime Video’s “Everybody Loves Diamonds,” with character descriptions, names of actors, and more.
Martin Scorsese’s “Killers of the Flower Moon” is a disturbing yet necessary story depicting genocide in Osage County and the horrors of greed.
The overall goal of Wherever I Look is to fill in that space between the average fan and critic and advise you on what’s worth experiencing.