Amari is the founder and head writer of Wherever-I-Look.com and has been reviewing media since 2010. He approaches each production with hope, rooting for every story to succeed, and believes criticism should come from unmet potential, while praise is reserved for work that meets or exceeds expectations.
Um, I’m starting to think Netflix isn’t that good at making season finales that can actually feel like a period or exclamation mark rather than an ellipsis.
Coco once more is the focus and, unlike Lionel, we get to complete her storyline of going from insecure to some form of self-actualized.
In our 2nd Lionel episode, the focus is him truly getting to know Troy and how his journalism career is going.
Gabe gets his own episode and, like mostly every other character, it is all about his relationship with Sam.
If you didn’t know better, you would surely think this episode was the season finale.
When your victimhood is politicized and popularized, what time or ability does that give you to grieve? That is the question posed as Reggie deals with the aftermath of having a gun pointed at him.
Reggie found the perfect woman for him but she belongs to someone else, a white guy, and that hurts his ego so much it clouds everything else.
Colorism is one of the main focuses of Coco’s episode and damn if the display of it may not bring you to tears.
Troy takes center stage and his storyline is sans a white girl and plus Nia Long.
Dear White People makes up for the lack of exploring Lionel’s sexuality in the movie version in this episode.
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