Industry: Season 3 – Review
“Industry” remains one of the most consistent shows on television, with a 3rd season which reminds you why HBO has been a stable brand for decades.
Amari is the founder and head writer of Wherever-I-Look.com and has been reviewing media since 2010. He approaches each production with hope, rooting for every story to succeed, and believes criticism should come from unmet potential, while praise is reserved for work that meets or exceeds expectations.
“Industry” remains one of the most consistent shows on television, with a 3rd season which reminds you why HBO has been a stable brand for decades.
Season 2 shows progress from the growing pains of season 1, but still seems a bit bloated and like it undertilizes its potential.
“F Mary Kill” presents a lighter and comical version of “Cat Person ” regarding what women may fear when dating men.
Attention is redirected towards Poppa Damon, who is dealing with his aging woes, and Junior, who lost his wedding ring.
“The Equalizer” has a holiday episode in which some fans may get what they want, but it may only deliver coal for others.
OWN For The Holidays returns, and as it becomes one of the last instances when OWN releases scripted content, this tame but likable film is not the best way to start the season.
While “Y2K” may bug anyone born in the 1990s and before, it could be a fun film for those who only know the time through Tumblr aesthetics and unearned nostalgia.
“Werewolves” reminds you why the werewolf trend hasn’t revived like vampires despite multiple movies in a year with no true revival in sight.
“Before” continues the pattern of not giving you much of anything of note until the end when something notable finally happens.
“Brewster’s Millions Christmas,” like many movies using name recognition for a boost, feels like it didn’t and shouldn’t have used its predecessor as a crutch, for this one could have stood on its own.