The Ms. Pat Show: Season 4 Review
“The Ms. Pat Show” continues to blur the lines between being a sitcom and drama as it gives its live and at-home audience what feels like a top-notch play.
Season or series reviews of shows, summarizing all you need to know in one post.
“The Ms. Pat Show” continues to blur the lines between being a sitcom and drama as it gives its live and at-home audience what feels like a top-notch play.
With a shortened season, season 4 of “The Equalizer” tries its best to keep the course for many of its characters, but some are clearly sacrificed to meet the reduced episode count.
“Ninja Kamui” is heavily reliant on flashy action sequences and inconsistently develops its characters or delivers a compelling story.
You’ll solve the mystery in “Bodkin” faster if you just went to the town yourself.
“Maxton Hall – The World Between Us” may play out predictably for most of its season, but its actors compensate immensely for its by-the-beats story.
Igor Gotesman and Pierre Niney’s “Fiasco” is a funny journey into a filmmaker’s heart of darkness.
A cast and character guide to Igor Gotesman Pierre Niney’s “Fiasco.”
Netflix’s “The Asunta Case” struggles to say why it exists outside of profit and sensationalism.
Season 1 of “Fallout” continues the trend of good video game adaptations we’ve seen recently, with this trying to balance the seriousness of a nuclear apocalypse with the comedy Obsidian Entertainment gave “Fallout: New Vegas.”
Netflix’s “3 Body Problem” has a story-telling problem.
Guy Ritchie’s “The Gentlemen” is a Netflix series that parodies the elite and the crime worlds they operate.
Netflix’s “The Vince Staples Show” plays out like a Saturday morning cartoon for adults.
Sofia Vergara sheds away her well-known comic shtick for something far more serious with “Griselda,” which struggles to find her a good scene partner.
OWN’s longest-running franchise, “Ready To Love,” has a new season each year, or sometimes six months. With “Ready To Love: Make A Move,” the formula is modified so that it is only alumni, and the four can’t be eliminated as they once again go on “The Journey.”
“Safe Home” is a 4 episode series about family violence that can be a challenge to watch but reminds you these stories are more than just content.
Nathan Fielder and Benny Safdie’s “The Curse” has carved its own path of social discomfort and magical realism unlike anything on television before.
As bullets and knives fly in every episode, the secret weapon in Netflix’s “The Brothers Sun” is the family at the heart of its story.
With silly twists and disjointed plots, Netflix and Harlan Coben’s “Fool Me Once” feels like at least three shows stuffed into one.
While “Black Cake” does have its lulls, when focused on the lead character’s children, outside of those two, you have one of the best Hulu releases, if not shows, of the year.
Netflix’s “Yu Yu Hakusho” may satisfy anime or manga fans, but for those new to Yusuke’s spirit adventures, the live adaptation will be a head-scratching mess.
The overall goal of Wherever I Look is to fill in that space between the average fan and critic and advise you on what’s worth experiencing.