The Marsh King’s Daughter – Review (with Spoilers)
Daisy Ridley continues to prove she’ll have a career beyond Star Wars as she plays the daughter of a kidnapping and murderer.
With car chases, life or death moments, and usually someone driven to madness, the Thriller tag has productions featuring these kinds of thrills.
Daisy Ridley continues to prove she’ll have a career beyond Star Wars as she plays the daughter of a kidnapping and murderer.
“Night of the Hunted” is an intense shooter that may start to drag in the end, but with the life-or-death situation the lead goes through, you’ll be on edge for most of the film.
“The Elderly” takes forever to get to the point, which may or may not be a play on who and what it focuses on.
As usual, a person with a mental illness ends up killing people, with the only difference in “Wake” being that person is a rapper.
In this simple revenge tale, a young lady’s best friend decides she no longer wants to be alive, which sets off a chain of events to kill off the man who blackmailed her.
“Totally Killer,” as its title implies, is a fun horror movie to watch but ultimately is more content to consume than a new movie to put into your annual Halloween rotation.
“The Royal Hotel” pushes you to asks questions, especially regarding perception, over be entertained.
Netflix’s Spanish-language survival movie “Nowhere” is a great showcase for Anna Castillo, but a familiar story that doesn’t live up to its dystopian premise.
“SaW X” brings back John and Amanda and tries to milk them both for every last bit of nostalgia possible while failing to realize the franchise has rightfully moved on from them.
Netflix’s “Burning Body” tells the spicy story of Rosa Peral, but fizzles out halfway through.
Netflix’s “Dear Child” starts with heart-racing suspense, but your heartbeat slows as the mystery drags to a disappointing ending.
Lee Whittaker’s “The Vigilante” is a timely action story about hunting down child traffickers. But it’s heavy on the action and less on the story.
Denzel Washington makes what is likely to be his final return to “The Equalizer” franchise, and while he shows he still has it, the film doesn’t present much to show why this film needed to become a trilogy.
“The Nun II” reminds you that it isn’t just Disney and the Marvel Cinematic Universe that milks its franchises past its prime – the horror genre has been doing that since its inception.
“Twisted Marriage Therapist” may give itself away with its title, but there are periods in it where it offers more than the usual.
Fares Fares writes, directs, and stars in “A Day and a Half,” a white-knuckle powerhouse drama that shouldn’t be missed.
“#ChadGetsTheAxe” harnesses the idea of an influencer in a horror movie in ways that have yet to be done at this level – and it is probably one of the best digital releases of the year.
“Retribution,” without question, is very on-brand for Liam Neeson, but with his character stuck in a car and not fighting anyone, he channels his trademark intensity in a different way.
“Ruined” fits the bill of the crazed light skin person whose desires for one half of a married couple lead to them becoming so crazy they are willing to kill.
While “Mad Fate” is bizarre and makes an effort to keep up a high level of energy as you are led to wonder when, or if, its lead may snap and kill again, after a certain point, it becomes a bore.
The cinematic narrative, “Rub,” unfolds the tribulations of an archetypal everyman figure named Neil, who finds himself teetering on the brink due to his emotionally barren existence and malignant professional setting.
“The Baker” entertains throughout its run time but is ultimately forgettable.
Jim Cavaziel auditions to be Liam Neeson’s successor as he takes on becoming the savior for children kidnapped and put into the sex trafficking industry.
While “Talk To Me” comes with graphic imagery and the occasional comical moment, the characters have hastened development which doesn’t really push you to care about who lives or dies, but rather how.
Netflix’s “Fatal Seduction” is a South-African soap opera that’s filled with plenty of spicy sex scenes, but not enough excitement in its murder mystery.
“Cinnamon” packs multiple genres and cinematic flourishes within its 90 minutes that will leave your mouth agape, shaking your head, sometimes laughing, but never looking away.
In “I.S.S.,” it appears Ariana DeBose plans to actively avoid the usual Oscar slump a lot of people, especially people of color, experience via a sci-fi drama where there is a nuclear war and a battle for the International Space Station.
“Suitable Flesh” may lack an explanation regarding what is happening, but you’ll be so locked in you may forget your questions until after the movie is over.
Swarm centers around a quirky super-fan has an extreme obsession with the fictional pop star, Queen Ni’Jah, which leads her down a rocky path of self-discovery and murder.
Robert Rodriguez and Ben Affleck’s “Hypnotic” is a messy but intriguing movie with twists that change the movie’s characters, genre, and entire story.
Netflix and Jennifer Lopez’ “The Mother” is an intriguing drama suffocated by a bad action movie.
“Double Life” should have gone through a double edit to make a memorable thriller.
The Tutor gives Garret Hedlund and Noah Schnapp a chance to play victim and avenger. While the film’s suspense and thrills can be underwhelming, the final twist is memorable.
Beef is fun, frustrating, and always fascinating due to raw performances from Steven Yeun and Ali Wong.
A summary of how “Safe Word” (2023) ended and whether a prequel or sequel is possible.
“Safe Word” may have the occasional spicy BDSM moment, but it, unfortunately, plays up the stereotypes that those into kink are mentally ill.
Margot Richardson can’t escape nightmarish visions of her facially deformed sister murdered by her father long ago. She desperately struggles to find meaning by returning to her abandoned childhood home.
65’s serious tone stifles a fun premise of Adam Driver fighting dinosaurs.
“Scream 6” is entertaining, but its existence feels more about the last film being profitable more than this franchise still having something to say.
The overall goal of Wherever I Look is to fill in that space between the average fan and critic and advise you on what’s worth experiencing.