The Equalizer 3 (2023) – Review/ Summary
Denzel Washington makes what is likely to be his final return to “The Equalizer” franchise, and while he shows he still has it, the film doesn’t present much to show why this film needed to become a trilogy.
With car chases, life or death moments, and usually someone driven to madness, the Thriller tag has productions featuring these kinds of thrills.
Denzel Washington makes what is likely to be his final return to “The Equalizer” franchise, and while he shows he still has it, the film doesn’t present much to show why this film needed to become a trilogy.
“The Nun II” reminds you that it isn’t just Disney and the Marvel Cinematic Universe that milks its franchises past its prime – the horror genre has been doing that since its inception.
“Twisted Marriage Therapist” may give itself away with its title, but there are periods in it where it offers more than the usual.
Fares Fares writes, directs, and stars in “A Day and a Half,” a white-knuckle powerhouse drama that shouldn’t be missed.
“#ChadGetsTheAxe” harnesses the idea of an influencer in a horror movie in ways that have yet to be done at this level – and it is probably one of the best digital releases of the year.
“Retribution,” without question, is very on-brand for Liam Neeson, but with his character stuck in a car and not fighting anyone, he channels his trademark intensity in a different way.
“Ruined” fits the bill of the crazed light skin person whose desires for one half of a married couple lead to them becoming so crazy they are willing to kill.
While “Mad Fate” is bizarre and makes an effort to keep up a high level of energy as you are led to wonder when, or if, its lead may snap and kill again, after a certain point, it becomes a bore.
The cinematic narrative, “Rub,” unfolds the tribulations of an archetypal everyman figure named Neil, who finds himself teetering on the brink due to his emotionally barren existence and malignant professional setting.
“The Baker” entertains throughout its run time but is ultimately forgettable.
Jim Cavaziel auditions to be Liam Neeson’s successor as he takes on becoming the savior for children kidnapped and put into the sex trafficking industry.
While “Talk To Me” comes with graphic imagery and the occasional comical moment, the characters have hastened development which doesn’t really push you to care about who lives or dies, but rather how.
Netflix’s “Fatal Seduction” is a South-African soap opera that’s filled with plenty of spicy sex scenes, but not enough excitement in its murder mystery.
“Cinnamon” packs multiple genres and cinematic flourishes within its 90 minutes that will leave your mouth agape, shaking your head, sometimes laughing, but never looking away.
In “I.S.S.,” it appears Ariana DeBose plans to actively avoid the usual Oscar slump a lot of people, especially people of color, experience via a sci-fi drama where there is a nuclear war and a battle for the International Space Station.
“Suitable Flesh” may lack an explanation regarding what is happening, but you’ll be so locked in you may forget your questions until after the movie is over.
Swarm centers around a quirky super-fan has an extreme obsession with the fictional pop star, Queen Ni’Jah, which leads her down a rocky path of self-discovery and murder.
Robert Rodriguez and Ben Affleck’s “Hypnotic” is a messy but intriguing movie with twists that change the movie’s characters, genre, and entire story.
Netflix and Jennifer Lopez’ “The Mother” is an intriguing drama suffocated by a bad action movie.
“Double Life” should have gone through a double edit to make a memorable thriller.
The Tutor gives Garret Hedlund and Noah Schnapp a chance to play victim and avenger. While the film’s suspense and thrills can be underwhelming, the final twist is memorable.
Beef is fun, frustrating, and always fascinating due to raw performances from Steven Yeun and Ali Wong.
A summary of how “Safe Word” (2023) ended and whether a prequel or sequel is possible.
“Safe Word” may have the occasional spicy BDSM moment, but it, unfortunately, plays up the stereotypes that those into kink are mentally ill.
Margot Richardson can’t escape nightmarish visions of her facially deformed sister murdered by her father long ago. She desperately struggles to find meaning by returning to her abandoned childhood home.
65’s serious tone stifles a fun premise of Adam Driver fighting dinosaurs.
“Scream 6” is entertaining, but its existence feels more about the last film being profitable more than this franchise still having something to say.
While Aubrey Plaza sometimes seems out of place, especially when paired with Jason Statham, Hugh Grant immensely compensates.
“Cocaine Bear” meets the expectations of madness you’d expect it to have.
“The Strays” is a weird film that could have been about more, but in its pursuit of sensationalism, any points about society that could be made are lost.
In this “Did he or didn’t he” film, a social media influencer falls for a young man who may have killed his teacher, but the evidence is slim against him.
“Disquiet” gives “Angels of Death” vibes, as we watch a man try to escape a hospital with monsters who all want to kill him and some who may be friends or foes.
“Missing,” a pseudo-sequel to 2018’s “Searching,” is the kind of mystery/ thriller that gets your heart pumping and glued to the screen like a kid watching Cocomelon.
In this supernatural crime thriller, Martin Lawrence may not take a career turn like his peers, but he does find himself in one of his best productions in years.
“Don’t Worry Darling” solidifies Olivia Wilde’s name as someone who can be trusted when they’re noted as the director.
“Barbarian” has quality jump scares and freaky moments, but it leaves so many questions.
“Under Her Control,” aka “Le jefa,” is a rather dry film for most of the duration until it finally gets interesting in the latter half of the film.
“Into The Deep” lacks the level of mystery needed to make its small cast flourish.
While over a decade past any fathomable need for it, “Orphan: First Kill” does remind you why the original film was controversial and notable.
The overall goal of Wherever I Look is to fill in that space between the average fan and critic and advise you on what’s worth experiencing.
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