Carnage For Christmas (2024): Review and Summary
“Carnage For Christmas” gives you a campy horror movie that may have notable visuals, but some may find it lacks substance.
“Carnage For Christmas” gives you a campy horror movie that may have notable visuals, but some may find it lacks substance.
“Young Hearts” delivers the type of innocent, first love you rarely see since most LBTQ+ romances are about kids well into their teens who see the pinnacle of any potential relationship as having sex.
In “Rookie,” we watch a sports story which makes the leads’ attraction only part of the story.
Megan Park delivers another coming-of-age story, but this one focuses on a young woman meeting herself in the future and questioning the sexuality she thought she was firm in.
Juan Sebastian Torales’ “Almamula” demonstrates that for gay youth, religion can be far scarier than the demons it preaches about.
Zeno Graton’s “The Lost Boys” is an LGBTQ+ drama that creates a lovely atmosphere within a juvenile hall, but you may wonder where exactly this story is headed.
“Something You Said Last Night” exists in the very tame depiction of LGBTQ+ issues, and as much as it makes clear that something is going on with the lead, it doesn’t dig deep in any form or fashion to get you interested.
Sandra Itäinen and Eman Abdelhadi’s documentary “Coming Around” displays the pain and beauty of generational change and intersectionality for a Muslim gay woman.
Jason Karman and Gorman Lee’s “Golden Delicious” is a fine coming-of-age story with a coming-out story we’ve seen all too often.
Luke Gilford’s queer cowboy movie “National Anthem” exudes so much warmth that it bursts from the screen and wraps its arms around you.
Chestnut,” with its lukewarm three-way romantic drama, is watchable but not must-see cinema.
At the minimum, “Eileen” delivers entertaining performances worth the ticket price, and at max, you will witness at least one performance worthy of a major accolade.
Addressing both characters’ individual cultures and how sometimes the personal clashes with the timing of something romantic, “This Place” is less about causing butterflies and more about how the timing of love can be imperfect, but people can make time if they can and want to.
The return of “The White Lotus” not only gives us the iconic Tanya again but a slew of other notable characters and a new murder mystery.
In this moving, biographical first feature from writer/director Elegance Bratton not only gives a stirring film but pulls from Jeremy Pope and Gabrielle Union the best performances of their careers.
Love blossoms, and apparently in a literal sense for Lily, as a new classmate catches her eye.
Being caught is always the worst nightmare but can it be different when you’re a girl and the person is of the same sex?
Male intimacy, and what western society is still adjusting to, makes “Close” a notable exploration of a loving friendship between two boys.
While the church is one way to meet people, what about meeting other men when you’re not sure of yourself?
“All I Ever Wanted” reminds you that sometimes, what you desire, has always been there.
“Lucky Fish” gives you the kind of cute moment between two people that can bring on happy tears.
“The Birth Of A Beautiful Butch” shows you why being your authentic self is the key to internal and external confidence
Newfest’s 2022, 34th annual film festival starts October 13th, featuring diverse LGBTQIA+ productions and here are our picks of what should be on your radar.
Between an offer for The Pynk, Mercedes dealing with a demon, Clifford’s birthday, a Megan Thee Stallion sighting, and more? A lot is going down in the valley.
Originally in order of season finales, but now in no particular order, here are many of the best shows whose season or series ended in 2021, or we only got a preview of.
With an FX/ Adult Swim vibe, Luv U Cuz might be one of the strangest animated shorts out of NewFest but might be one of the most memorable things we’ve seen overall.
A chance encounter leads to an unexpected relationship as faith creates an instant bond, but what’s to happen once the fun is over?
As we mourn the end of Insecure, Car Therapy: Uncoupling reminds you of the show’s origins.
There is a level of intimacy in our daily lives that we take for granted, but things are slowed down in Girls & The Party, and what usually is a forgettable series of moments are embraced.
More Happiness is a bit strange and doesn’t really venture to demystify itself.
The First Time gives you webcomic-turned short web series vibes, but it is not long enough.
In this three-minute short, we get an innocent and adorable showing of the lengths someone will go through for a crush.
Throw three monologues, we recount how a young man named Matthew found strength in community, through his Grandmother and eventually, himself.
I want you to imagine the intensity in Black Swan mixed with Whiplash, and in that volatile mix, you’ll get Isabelle Fuhrman in The Novice.
While Under My Skin may make you question “Where is this going” and “Why are four people playing one person?” you never get bored.
Sweetheart may not craft the best conflicts or resolutions, but it excels when it comes to teen romance and family dynamics.
Despite its subject matter, there is something surprisingly tame about “Gossamer Folds,” which shows how tolerance and acceptance develops over hate.
Despite a few painfully awkward moments, “Ellie and Abbie (And Ellie’s Dead Aunt” does ultimately give you what you need from it.
In what may feel like a prequel to “Shiva Baby,” Rachel Sennott is joined by Madeline Grey DeFreece for another awkward funeral situation.
The overall goal of Wherever I Look is to fill in that space between the average fan and critic and advise you on what’s worth experiencing.
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