With every season, Issa and Molly try to change for the better – but it is a struggle. However, with a focus on setting boundaries, they make steps forward.
With Ann’s bike being found, Richard digging into Camille’s past, and Camille haunted by every dead girl she knows, we draw closer and closer to getting pertinent answers.
Mr. Lacey becomes the latest we need to keep our eye on as the Calhoun Day pageant shows how rooted in f***ery Wind Gap has always been.
A handful of reveals continue to bring the Ann and Natalie’s murder to the forefront and give some oil to get your wheels turning.
The investigation into the deaths of Ann and Natalie begin to gain traction as Amma and Adora become more suspicious.
As Camille’s relationship with townspeople, and her mother, gets further established, so does her similarities to Natalie.
Sharp Objects, like many an HBO mini-series before, reminds you why the network is the anti-Netflix by focusing on quality over quantity.
Over the course of 18 characters, Anna Deavere Smith doesn’t just present a masterclass in acting but also understanding the various aspects of the school to prison pipeline.
Michelle Wolf’s Nice Lady is a comedy special for a different kind feminist. You know, the ones which could care less about always being politically correct.
Insecure: Season 2 for some characters was a stepforward. One in which you could see maturity and growth. However, sometimes becoming a better person is just uncomfortable so some end up regressing. More on that below.
Up to a certain point, you may think that everyone maybe getting their situations together. But, in the long run, happy and functioning people don’t keep shows running.
All the signs are there that people need to move on but, unfortunately, until the point is smeared into people’s faces on Insecure, the point doesn’t come across.
“Sometimes saying goodbye means you’re making room for something better.” This quote is a lesson damn near every last character needs to learn. As for why, look below.
While there are no epic battles and only one significant death, the 7th season finale of Game of Thrones finds a way to make things business as usual in some areas and up the ante in others.
Things are starting to get a little rocky in Issa’s work life but are holding steady for her ho phase. Meanwhile, Molly learns her role model parents aren’t as perfect as she thought they were.
All I can say is, considering what happens this episode, I don’t think Daenerys nor Cersei will have time to battle for the Iron Throne. Especially with the Night King now having a trump card.
Daniel returns to Insecure and while things are awkward between the two, Kelli helps push them together. Meanwhile, Molly is propositioned and Lawrence has a threesome.
A slew of reunions come about and only three lead to smiling faces. The rest lead you to believe someone is going to die.
As Issa begins to enter her ho phase, Lawrence comes to realize that maybe he isn’t as much of a good guy as he thinks he is.
The Stark reunion is nearly complete and with growing closer to Daenerys comes Jon Snow having his first opportunity to influence her decisions. Leading to her making herself known to Jamie personally.
The overall goal of Wherever I Look is to fill in that space between the average fan and critic and advise you on what’s worth experiencing.
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